Hey, horror fans! I just wanted to share with you the announcement of the 2019 Nightmares Film Festival! Brought to us by writer, producer, director, actor JasonTostevin. Check it out! Looks like it is gonna be a great year for great horror!
NIGHTMARES FILM FESTIVAL REVEALS KILLER 2019 PROGRAM
Four-Day “Better Horror” Lineup Brimming with Premieres, Coveted Films from Around the World
Columbus, OH – If this is a Nightmare, horror fans won’t want to wake up.
Closely-watched Nightmares Film Festival has outdone even its most legendary stuffed-to-bursting programs with 2019’s lineup, which will pack 190 of the world’s best features and shorts from around the world into this year’s four-day event, Oct. 24 to 27.
“We are so honored the world’s best genre creators trust us to present their work,” said co-founder and programmer Jason Tostevin. “This year, we have assembled more ‘better horror’ for our Nightmares audience than ever before.”
Leading the lineup are 24 features from both beloved horror filmmakers and important new voices in genre film. Included are Hammer Films’s The Lodge, from the makers of Goodnight Mommy; Daniel Isn’t Real, from the producers of Mandy and The Greasy Strangler; VFW, from the director of Almost Human; Eat Brains Love, adapted from the popular novel; and closing night film Z, from the creators of It Stains the Sand Red and Still/Born.
The fest will also present a screening of Jörg Buttgereit‘s infamously banned necrophilic exploitation film Nekromantik … brand new horror-comedy anthology Scare Package … She Never Died, the sequel to the 2015 Henry Rollins action-horror film He Never Died … the Carpenter Brut-scored Blood Machines … the world premiere of FX artist Marcus Koch (We Are Still Here)’s doc on the history of extreme cinema, Beyond Horror … and the world premiere of Tommy Faircloth (Dollface)’s newest film, A Nun’s Curse.
One of the Nightmares’ best-known traditions, the Late Night Mind Fuck — called “one of the most dangerous and challenging blocks of programming at any festival” (The Film Coterie), returns this year with two world premieres. First, is The Obsessed from Italian extreme director Domiziano Christopharo (previous NFF winner Torment), a body horror freak-out based on the manic descent of Bjork’s stalker. And at 2 a.m. is the dark, harrowing and sexually explicit 29 Needles.
The festival’s reputation for presenting the best-curated shorts blocks on the planet continues with a lineup of 150+ horror, thriller, midnight and horror-comedy short films, including dozens of world premieres. Its Recurring Nightmares blocks are also back, highlighting NFF audience favorites returning with new work, and its Ohio shorts blocks will offer up some of the best locally-made films.
Nightmares have also named the 13 finalists in its short and feature screenplay contests. These screenwriters will be given the chance to connect with selected filmmakers to explore the production of their scripts through the NFF FinaLIST matching service.
All selected competition films and screenplays vie for a coveted Night Mare statuette, representing the dark horses of the genre. The Night Mare is sculpted and painted by the renowned toy and figure creator Tony Simione (Marvel, Star Wars, Godzilla, Alien).
A complete list of features, shorts and screenplay finalists follows below.
Want to make the pilgrimage to Nightmares this year? Some passes are still available, though they always sell out.
Nightmares Film Festival has been called one of the world’s best horror film festivals by every major genre outlet. It has maintained its position as the world’s top-rated genre festival on the submission platform FilmFreeway for 35 consecutive months.
NIGHTMARES FILM FESTIVAL 2019 PROGRAM
The Girl on the Third Floor
Eat, Brains, Love
Daniel Isn’t Real
She Never Died
A Nun’s Curse
To Your Last Death
Slaughterhouse Slumber Party
Ghost Killers vs Bloody Mary
Lake Michigan Monster
SHORT SCREENPLAY FINALISTS
Bathwater – Kevin Talley
Demon Inside Me – Brandon Rutherford
Gender Reveal Party – Alison Parker
Hush Little Baby – Ricardo Bravo
Cave of Tits – Stephen Stull
Vuorwro – Ron Riekki
Boogeyman Bait – Kay Phillips
Field Test – Chris Hicks
Love as a Practice for Dying – Shayna Connellly
Mary, Dispossessed – Kristy Walsh
The Garden – Guillermo Ortiz
The Squirrels in the Attic – Rachel Thomas-Medwid
Who Wants Dessert? – Venita Ozols-Graham
FEATURE SCREENPLAY FINALISTS
Night People – Søren Budge
Mom Died – Michael Klug
The Chamber – Sergio Pinheiro
Timmy Cooke: A Cannibal Love Story – Aaron Barrocas
Persona – Jeffrey Howe
The Mothman – Jackson Murray
No Overnight Parking – Meg Swertlow
Serial Killers Anonymous – Robert Forsberg
Daughters of Virtue – Michael Escobedo, Greg Sisco
Third Date – Avishai Weinberger
He Brings The Night – Kevin Donner
Monger – David Axe
Girl Trouble – Devi Snively
In Sound, We Live Forever
To Enter You Must
Steve And The Dead Girl
She Must Vanish
Destroyer of Worlds
How To Be Alone
Portraits of Fright
Z-GOAT: First Bleat
Asian She – Competitive Mourning
The Third Hand
Songs My Mother Taught Me
A Doll Distorted
I Learned How to Drive at the End of the World
Nineteen Ninety Nine
The Taste of Blood
A Clown’s Tale
Man in the Corner
It Came Nameless in Spring
We Die Alone
Communication is Key
One Bad Night
A Noise That Carries
Lock and Key
Buffalo & Trout
Valerio’s Day Out
Five Course Meal
Imagine a World
Diddie Wa Diddie
Daughter of Dismay
I See Through You
A Night Without
HORROR COMEDY SHORTS
Dead Teenager Séance
We Got a Monkey’s Paw
We Follow You
Scary Stories: Bloody Mary
Where The Shadows Fall
Madness’ by Black Liquid
Tea Time for Lions
Wake Up Mark
The End of the World: An Update
The Things With The Glowing Green Eyes
Hey readers! Just your Horrormadam here to bring you another amazing author Jeremy C Shipp! He is a writer of weird horror, adventurous fantasy, and idiosyncratic science fiction all combined into this wildly visceral and blood-curdling works of fiction. I was so glad he introduced himself and his works to me will always be a fan. Now let’s get to the questions!
Can you please tell my readers little about yourself?
My name’s Jeremy C. Shipp, and I’m an author of weird horror tales. My short stories have appeared in various publications such as ChiZine, Cemetery Dance, and Apex Magazine. My books include the Bram Stoker-nominated novel Cursed and the Shirley Jackson Award-nominated novella The Atrocities.
When I’m not writing, I’m butlering for cats in a semi-haunted Victorian farmhouse. The ghosts took the phrase “I’ll sleep when I’m dead” to heart, so they spend much of their time napping and rarely perform.
The main question I always want to know about, why horror? What drew you to the genre?
I have always been a fiend for horror. As a kid, I would play pretend with my brothers, and we would imagine ourselves as vampires and werewolves and grim reapers. I grew up watching dark and bizarre films like The Dark Crystal, and The Adventures of Baron Munchausen, and House II. I’ve always been fascinated by monsters and magic and the darker mysteries of the universe. I can’t say why exactly. But, for me, writing horror feels right.
What are some of your favorite horror films and or books?
As far as horror and gothic books go, I love The Exorcist by William Peter Blatty, Let the Right One In by John Ajvide Lindqvist, The Haunting of Hill House by Shirley Jackson, The Woman in Black by Susan Hill, Rosemary’s Baby by Ira Levin, Hell House by Richard Matheson, Burnt Offerings by Robert Marasco, Rebecca by Daphne Du Maurier. And some of my favorite horror films are The Witch, Rosemary’s Baby, The Exorcist, A Dark Song, The Love Witch, The Shining, The House of the Devil, Evil Dead II, Dead Alive, Audition, Trick ‘r Treat, Psycho, Ringu, Ju-on, The Happiness of the Katakuris, The Funhouse, The Thing, The Descent. I could probably go on forever, but I suppose I shouldn’t. Eternity is a long time.
What actually scares you?
I’m afraid of sadism and bigotry and death. I’m afraid that humans won’t do enough to stop climate change. I’m afraid of heights. I’m afraid of mimes with sharpened teeth. I’m afraid of the man with translucent skin who lives under my floorboards because he keeps spoiling the ending of movies that I haven’t seen yet.
If you could have a dinner or poker game with your favorite authors alive or dead, who would it be and what would you like to discuss with them?
For my dinner guests, I would invite Charlotte Brontë, Kazuo Ishiguro, Kurt Vonnegut, Arundhati Roy, and Shirley Jackson. At first, we would discuss world events, and the writing process, and the human soul. But rather quickly I’d realize that we were all a bit stressed about the state of the world and our fast-approaching deadlines. And so, during dinner, we would decide to play Santa Claus Conquers the Martians on the TV, and we would make fun of the film MST3K-style while we ate. It would be a good night.
As an author, do you have a writer‘s kryptonite?
The entire writing process feels a bit like kryptonite to me. Everything is hard and frustrating, and I really wouldn’t have it any other way. I suppose my most potent kryptonite is my tendency to hyperfocus on one particular sentence or word. I can spend way too much time trying to compose the perfect sentence when I should simply move forward with the story and come back later. When will I ever learn? Probably never.
How much of yourself do you include in your writings?
I tend to only include some small bits of myself here and there. Perhaps a fingernail clipping or a pint of blood or a chunk of the spleen. In Bedfellow, for example, Tomas likes to hang out in a secret, leafy, magical space that exists between his neighbors’ fences. In reality, my brothers and I truly did play in such a gap. Vampires and werewolves and grim reapers crept among those fallen leaves.
What would you tell your younger self as a writer?
I first started writing short stories in 4th grade, so I would tell my elementary school self to invest all his birthday and yard work money in Apple stock.
When I was a teenager, I first started getting stories published, and I would tell my teenage self not to sell the Apple stocks, no matter how tempted he was to buy an electric guitar and a car with air conditioning.
I would also tell him that rejection letters are a normal part of a writer’s life and not to take them too personally. I would tell him that he shouldn’t stop himself from reaching out to other writers for advice and for help
When they make the movie of your life, would it be drama/comedy/horror and who would star as you?
I’d like a Jeremy C. Shipp character to appear in a Bill & Ted reboot in the distant future. In the movie, monsters overrun the Earth, and Bill and Ted travel back in time to get a monster expert to help them. They assume that I, as a horror writer, would somehow be able to deal with the vampires, werewolves, and other creatures. Ultimately, we end up befriending the monsters, and the world is saved. Jeremy C. Shipp would be played by a descendent of Sam Rockwell, because he’s an amazing actor, and he looks a bit like me, I think.
What do you do for fun or relaxation?
I enjoy watching great movies and excruciatingly terrible movies. I’m not much interested in mediocre films that exist somewhere in between.
I read books as if my life depended on it, and it probably does.
I like trivia games, even though I don’t have the mind for it. Ask me when the War of 1812 started, and I’d probably get it wrong.
One of my favorite things in the world to do is to watch The Bachelor or The Bachelorette or Bachelor in Paradise with my partner. Hard as I try, I still haven’t written a horror story as terrifying as those shows
What are you working on next or whatever other projects you are on that we should look out for?
I’m working on a currently untitled novel that will be published by Meerkat Press in 2021. Here are some details:
In Shipp’s newest novel, we will follow Seraphina Ramon into a once-abandoned amusement park now populated by a community of cultists. To our left, a dragon-themed roller coaster rests on the blackened earth, curled up like a dead snake. To our right, an animatronic Humpty Dumpty falls off a concrete castle and shatters on the ground, only to reform itself moments later. Up ahead, cultists giggle as they meditate in a hall of cracked mirrors. This is the last place in the world Seraphina wants to be, but at the same time, she will stop at nothing to investigate the cult that almost killed her sister. And the best way to find out the truth about this bizarre cult is to join them.
Also, I finished writing a horror screenplay a couple of weeks ago, and I’m hard at work on another.
In addition to all this, in my secret lab, I’m genetically engineering a miniature version of Cthulhu about the size of a dachshund. I’m hoping to create a couple hundred of them in my first batch. Gods, goddesses, and various other ethereal beings keep warning me not to do it, but I’m sure they’re just overreacting.
I would like to thank Jeremy very much for taking the time to answer my questions and for his amazing storytelling talent! If you want to learn more I have included some links for you to check out!
Hello readers! Just your Horrormadam here bringing you another fabulous author to read and get to know about, Sarah Blair. Her book Darkness Shifting: Tides of Darkness Book One is an engaging and effective inter-weaving of the paranormal, a detective, thriller, and Arthurian legend. I am also a huge fan of King Arthur lore and found the idea very intriguing so wanted to introduce her work to all of you and let you get to know the woman herself! Let’s get to the questions…
First can you tell my readers a little bit about yourself?
I’m an X-Phile for life. My Hogwarts house is Gryffindor. I definitely believe ghosts are real. I’m a wife and mommy. Happy to be a Southern heathen who also loves sweet tea and porch sitting. Why thrillers/horror/monsters?
Ever since I was little, I’ve enjoyed mysteries and the macabre. One of my earliest memories is snuggling up with my aunt in her big bed to watch Alfred Hitchcock Presents. Clue is my favorite board game. Who knew murder could be so much fun? I’m also obsessed with The X-Files. It’s scary sometimes, but also has a few light-hearted monsters of the week. I don’t believe for a second that all monstrous creatures are bad. Sometimes humans can be quite monstrous themselves. That blurry line is what I find most intriguing. When did you fall in love with Arthurian legend?
The ideals of chivalry are romantic, but I don’t think I truly fell in love with Arthurian legends until I read Marion Zimmer Bradley’s The Mists of Avalon. I’d never heard the story from the perspective of the women in the legends before and it really sucked me in. It’s an enormous book, and I read it before kindle and smartphones, so I lugged it all around New York City where I was living at the time. I literally couldn’t put it down. Then, a few years later, I had the opportunity to study in Wales as an exchange student. Of course, I had to visit Glastonbury and Bath. It quickly became my favorite place, and I went back several times over the course of my stay. It’s not an exaggeration to say it truly feels magical there. What made you want to write?
The fact that Chris Carter insisted on keeping Mulder and Scully’s relationship purely platonic for so long drove me to write X-Files fanfiction, just so I could get them to kiss. Even from the time I was young, I would act out elaborate stories with my Barbie dolls, so I suppose I was telling stories from a very early age, I just didn’t realize I could write them down for other people to read. When I was 11 years old, I read The Giver by Lois Lowry. The second I finished the book and turned the page wanting more and realized there wasn’t any, (I refuse to read any further books in the series that have come out since, because I value that ending so dearly.) I remember very distinctly thinking that was the kind of story I could, and very much wanted to write myself. When I got to university and found out that I could major in Creative Writing, there was no other choice for me. What authors and or books influenced you?
In addition to Bradley and Lowry, probably the biggest influence on my genre of writing was Laurell K. Hamilton’s Anita Blake vampire hunter series. I deeply value Anita’s evolution as a character and how she’s changed over the years. Hamilton never held back, choosing to always include everything her characters experienced, both good and bad. That definitely had an influence on me, since I’d never read a book that captured such a wide range of experiences so well. Usually either the sex or the gore gets glossed over in order to appeal to a certain audience, but Hamilton brought all of it to the page. What new projects are you working on?
Currently, I’m working on completing the Tides of Darkness Series. There are three more books planned, a prequel that takes place three years before Darkness Shifting, plus two more books that occur directly after the events in Darkness Shifting. There is also a new series I’m mulling over, but I don’t know enough details to share just yet.
In addition to writing, I’m also a producer and co-host of The X-Cast: An X-Files Podcast, so if you’re a fan of The X-Files, you definitely don’t want to miss out on that!
It brings me great pleasure to introduce a new book out called The Vampire and the Black of Night by my pal Blackie. We met in the horror community on Twitter and he has fast become a great influencer. It was really great to find out about his book and wanted to make sure other people got to know him and his writing. The book is evocative, bringing back stories reminiscent of Stephanie Meyers’ Twilight and A Shade of Vampire by Bella Forrest with a great blending of fear, intrigue, and romance. So let us get to his illuminating answers to my questions:
1. When did you first realize that you were a fan of horror?
When I was five-years-old. The Blob played on Creature Feature, put on by the Acri Company in the Quad Cities, then years later I worked for the Acri Company in Peoria, Illinois: meant to be. My love of horror grew from there as I continued to watch brutal horror as a little boy—my sick parents let me—Trilogy of Terror with the killer voodoo doll, The Legend of Boggy Creek, Carrie, Salem’s Lot. I can still remember jumping when Carrie’s hand came out of the grave, what a rush! It just grew from there.
2. What are some of your favorite horror films?
All Hallow’s Eve with Art the Clown, which went there with extreme horror—SPOILER ALERT!—beheading the kids. Hereditary, which revived American horror (for the longest time only other countries were doing horror), and the usuals: The Exorcist, The Shining, Jaws.
3. When did you get the writing bug?
I knew when I watched The Ring that I wanted my first monster to be a little girl. I was up half the night thinking that creepy kid was going to come out of my TV. I came up with the idea for a Wiccan horror novel with a sadistic little girl who’d been through the mill, losing her parents who were killed gorily, and she was becoming a Hedge Wiccan—Hedgers can hurt people, no “harm none, do what thou wilt”—and going after a man, this Christian at her church. It demanded to be written. Of course, I gave it the ax because it was my first novel, so I put it under the bed and wrote another one, a horror novella called Under the Bed, in the Closet, Dread, which was a little better. I’ll provide that at the end of one of my novels, for the other two are around 50,000 words, not 90,000 like my current one. From there it just infested me and took over my life.
4. Favorite authors and or books that inspire you?
Everything from Rosemary’s Baby by Ira Levin, The Haunting of Hill House by Shirley Jackson, and The Exorcist by William Peter Blatty, to The Vampire Diaries by L. J. Smith and iZombie by Chris Roberson and Michael Allred, the latter a series of graphic novels. It just has to interest me and not have sparkling vampires or other twinkly monsters. Then I can put up with the romance.
5. This book is a little different themed, what made you want to write about it?
I don’t consider it different themed at all. Dracula by Bram Stoker had romance as well as terror. For me, it’s just natural. In real life, we have fears, but we also fall in love, have sex, get married. Also, it was a challenge to write about romance as a guy, and I rose to it.
6. What is it about vampire lore that you think find so interesting?
Honestly, I think it’s because Nosferatu lore and vampire-and-human hookups are sexy. I saw this vampire skin flick on Skinemax, and it was just so fucking hot I can’t tell you. Just burnt me up on my couch. The Hammer films knew this.
7. What did you find difficult about the writing and publishing aspects of this book?
I embraced everything difficult. I think it’s better to rise to the occasion then bitch and whine that it’s too hard. The hardest was writing 80,000 words of this stuff. I had to go through things too quickly, the protagonist’s marriage and child, which shouldn’t have happened till the sequels, but it’s also cool that there’s so much going on. Vampire ancients from other countries were tricky too. I had to learn other languages. No agents would touch it, but that doesn’t bother me. So many great books had to be self-published. I’m thinking of Ania Ahlborn and Seed, as well as her other novels. I’m going to see the challenges though.
8. What are some of your hobbies?
Fitness: eating right, martial arts, weightlifting, jogging. I just became a black belt in Kung Fu, and I’ve been taking Karate forever. Extreme metal. Right now, I’m listening to tons of Malevolent Creation and God Dethroned. I’m a musician too, a one-man band. I have guitars, a bass and drums.
9. What are your next projects we should look out for?
I wrote a rough draft of a werewolf novel and another one of a zombie novel. The zombie book is the best, in my opinion. Both have plenty of romance and agony. I’m going to take on sci-fi at NANO in November, and I’m reading sci-fi right now to learn how to do it. Next year at NANO, fantasy. I have two erotica short stories I’m going to put out as eBooks.
I want to thank Blackie so much for taking the time to answer my questions! I hope you will enjoy his work and keep a look out for new projects. Have included the link to his site and his Twitter handle so you can explore and learn more!
Hey readers! I Love to support Indie films, especially horror 🙂 So I wanted to help the rollout of a new horror anthology out just in time for the Halloween season called Hellarious! It is a rollicking good time that will also send chills down your spine. Seven great shorts that are new, creative, gruesome, and visionary. I asked Jason Tostevin the creator who is an American filmmaker, screenwriter, film festival director, and founder of Hands Off Productions, a boutique studio with a worldwide reputation for its short genre films. Why these particular films?
WHY THESE FILMS? First, I love horror comedy, and I think most people do, too. But there’s not an easy way to see more of them. These seven films have been huge hits on the fest circuit, and they’ve had crowds afterward telling their friends, “you have to see this movie!” They’re also well-crafted and hilarious stories with unforgettable characters. So they were perfect to assemble in one place for the horror fans I knew would love them.
Here is the press release to tell you more:
NEW HORROR COMEDY COLLECTION “HELLARIOUS” SET TO SLAY THIS SEPT
Seven Legendary Horror Comedy Shorts Assembled in First Collection of its Kind
COLUMBUS, OH – A new, devilishly funny collection of horror short films is out to kill with audiences just in time for Halloween … and there’s going to be hell to pay.
The just-announced feature collection Hellarious will bring together seven of the most legendary horror comedy shorts ever made from some of the world’s best genre filmmakers. The tales include a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, maniac lunch ladies and more — along with gust-busting gags, gross-outs and gore.
“Hellarious is the perfect movie to celebrate the Halloween season,” said anthology creator Jason Tostevin. “There are scary stories, eww moments that will make you squirm, and even some weirdly sweet moments. And of course, they’re all absolutely hysterical.”
The seven shorts that make up Hellarious are: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Tostevin and Randall Greenland, Killer Kart by James Feeney, Bitten by Sarah K. Reimers.
Preorders are now open for a limited edition Blu-ray and VOD release by distributor Film Spawn. Order here.
“We’re so proud to help present this one-of-a-kind project,” said FilmSpawn founder Chris Ethridge. “These are iconic shorts people have been hearing they have to see, but couldn’t find. Now, for the first time ever, you can see them all in one place.”
Also included exclusively on the limited edition Blu-ray is the world premiere of Clarissa Jacobson’s A Very Important Film, a parody send-up of self-important festival films created as a promotional short for her film Lunch Ladies.
Hello, horror fans this is just your Horrormadam taking a quick break from authors to introduce you to a woman whom I greatly admire. Strong, funny, talented and beautiful, Rakefet has it all! She sent me a copy of her new horror short Boo, which I really loved. The tension that she sets up has you hanging onto the edge of your seat, and then she gives you an amazing twist at the end that proves not all addicts are the same. Rakefet very kindly sent along her Directors statement and a little more insight into her amazing new film. I hope that you will see it and all of her great works, because she is truly an amazing talent!
Written & Directed by: Rakefet Abergel
Production Company: Cyclamen Films
Produced by: Rakefet Abergel & Marshall Langohr
Consulting Director & Editor: Ned Thorne
Director of Photography: Alex U. Griffin
We also have some veteran executive and associate producers on board, including Joel Zwick (My Big Fat Greek Wedding) and Shawn Christian (Days of Our Lives).
We’re also really proud to say we had a cast and crew of over 50% women, which we talk about in our teaser/behind the scenes featurette here: https://youtu.be/Uygn4ZLeBWw
We strongly support more women in film and more women in horror, and Boo is our contribution!
After the success of my short film, JAX IN LOVE which I wrote and produced, I wanted to make another film right away!
This time, besides writing and producing, I decided to also take on the challenge of directing. BOO is a story about a recovering addict having a very hard night and the choice she’s forced to make between who she loves and what she loves.
Horror is a fitting genre to explore the universal themes of struggle, pain, and love. Addiction is a serious illness, and although we explore it in a creative way, I wanted to treat it with the gravity and respect the topic deserves. I’ve been close to many people struggling with addiction. In sobriety meetings they talk about the inner “addict” and I always wondered how that would physically manifest itself. What does the “addict” look like ? What does it want? What lengths will it go to get what it wants? What choices will it make?
I’m also really proud that both our cast and crew were made up of over 50% women! Being a female filmmaker and a woman creating within the horror genre, I believe we have a responsibility to increase visibility and job opportunities for women and minorities, as well as to introduce new types of leading ladies to the screen.
My hope is that audiences enjoy it not only as a horror film with a supernatural twist, but also makes them question the parts of themselves they try to hide and why. We all have an addict inside us. What does yours want?
A native of Los Angeles, Rakefet Abergel is an award-winning American/Israeli actor, writer, director, and producer. She appeared in the movie Superbad with Jonah Hill, and as Adam Sandler’s sister in Just Go with It . She can also be seen in the films My Best Friend’s Girl opposite Dane Cook, with Halle Berry in The Call, and alongside Eddie Murphy & Kerry Washington in the film, A Thousand Words. Rakefet also regularly guest stars on TV shows including Showtime’s Shameless, New Girl, My Name is Earl, Bella and the Bulldogs, and iCarly.
Her newest film, Boo, which she wrote, produced, and starred in, is her film directorial debut. Previously she also directed various episodes of a web series called “Girls on Girls”. The short screenplay for Boo was a finalist in the Best Short Screenplay category at Nightmares Film Festival in Columbus, Ohio and won Best Short Script at Vancouver Bad Ass Film Festival in Canada. It also won an Honorable Mention at Women in Horror Film Festival in Atlanta and was an official selection at over 15 festivals worldwide.
The first film Rakefet wrote was the award-winning horror/thriller short film called Jax in Love, which she co-produced with executive producer & casting director Jory Weitz (Napoleon Dynamite). The film, directed by Oscar-nominated director Colin Campbell made the festival rounds and garnered Abergel ten Best Actress awards from a variety of film festivals including Nightmares Film Festival, Hollywood Horrorfest, GenreBlast Film Festival, and Oregon Scream Week. The film also won Best Horror Short at Hollywood Reel Independent Film Festival and Best Original Screenplay, as well as over 30 awards for various aspects of the film. She also teaches Hebrew to sixth and seventh graders in Los Angeles and works as an acting coach and mentor for kids and adults at Kid (F)Actor, a company she founded in 2010. Boo is the second production from Cyclamen Films, Rakefet’s production company that produced Jax in Love. She is represented across the board at Bohemia Group in LA and New York.
Best Female Director/Women of Horror award at Happenstance Horror Fest this past weekend presented by Morbidly Beautiful!
12 awards for directing, cinematography, acting, editing, music, makeup FX, and more as well as 3 annual nominations for Best Actress, Makeup FX and Best Horror Short from Southern Shorts Awards.
Queen Supreme Annual Award – Best Dialogue in a Short from Queen Palm International Film Festival.
Multiple nominations for Best Actress and Best Film and Best Director
Hey everyone! Just your Horrormadam here bringing you another amazing author Nick Stead! When reading most literature on werewolves, it becomes apparent that most authors follow the same banal, over-worked imagery. A human is cursed with a wolflike appearance and then they generally kill indiscriminately. Nick Stead has written a very refreshing story arc, where a person has a supernatural lycanthropic event but actually takes on all the aspects of a real wolf. Their social aspects and pack mentality, alpha vs beta, communication and scenting behaviors. Nick’s books are such a joy for me to read because they are such a divergence from the norm. I wanted to introduce you to his work and asked him a few questions so that you may better understand this talented writer! Let’s get to it:
My first obvious question, is why horror? When did you first fall in love with it and what made you want to write in the genre?
I think I’ve always had a love of monsters and things with big fangs and claws so it probably started there. Ghosts and skeletons fascinated me as well–I’m struggling to remember a time when I wasn’t into anything horror! I can’t think of a specific moment from my childhood that started my love of the genre–I know I used to enjoy cartoons like Scooby Doo and would watch them religiously. But my first real taste as a kid was probably the Goosebumps series. Those books probably deepened my attraction to the creepy and the macabre and my love of the genre only grew from there.
It was actually my cousin, ‘Lady’ Sarah, who got me started writing. She’d done a few short stories and got sick of me nagging her to write more so she suggested I start my own and helped brainstorm the first three chapters of what would eventually become Hybrid. I’ve always had a love of fantasy as well but I was getting more and more into horror as I developed into a young adult and started to discover all the classics like Nightmare on Elm Street and Hellraiser. The more I found to watch and read, the more of my own horror stories I wanted to write. My first book was always going to be a werewolf horror though–I’m too obsessed with them for it to ever have been anything else!
Why did you go with werewolves?
I’ve always been obsessed with wolves and werewolves for as far back as I can remember. There’s just something about the idea of turning into a wolfish creature that really appealed to me when I was younger and it’s something I never grew out of! In many ways Hybrid started out as my own personal werewolf fantasy. The lore I used in the series is a mix of my favourite myths and my own ideas–I like to put my own spin on existing mythology where I can.
What are some of your favorite books and who are some of your favorite authors?
Horror wise, Graeme Reynolds’ High Moor trilogy ranks among my all-time favourite werewolf horror stories and I’m really enjoying S.L. Mewse’s Primal Progeny werewolf series as well. I did used to enjoy Darren Shan when I was younger but I’ve not read any of his stuff in years, and I was enjoying the Anita Blake vampire hunter series till it got a bit too much in the relationship’s wayside of things and not enough of the horror for my tastes. I think the last one of them I read was book 12 or 13 so I must be well behind on those by now.
Fantasy wise, I’m a big Terry Pratchett fan–love his Discworld series! Christopher Paolini’s Inheritance Cycle is awesome as well, reread all four books a few times and I never tire of them. I also love G.R.R. Martin’s Song of Ice and Fire series and am still mourning the end of the TV adaptation–hope we get the next book soon! I have to mention Harry Potter as well even though I haven’t revisited that world since the last book came out which must have been in my late teens/early twenties (I’m 31 now). And Jim Butcher’s Dresden Files!
Mary Shelley’s Frankenstein needs mentioning too. We studied the original novel for GCSE English Literature and I really connected with that story and the character of the creature in particular. In fact, there are parts of Hybrid heavily inspired by Shelley’s novel, including the prologue–I love how she starts with the letters Captain Walton writes to his sister, as for me it gave it a sense of reading about real events that had actually happened rather than just the usual narrative prose of fiction. So I wanted to bring that same feeling into my own story, but instead of letters I went with the second person opening as a way of bringing the reader directly into the story. I really wanted to give that feel of being there with the character as he tells you about his ‘real’ life as a werewolf.
What are some of your favorite horror films and influences?
I love the Nightmare on Elm Street movies and Hellraiser 1 and 2–both Freddy and the Cenobites definitely inspired some of the more creative deaths I’ve written. American Werewolf in London still has the best transformation scene to date, in my opinion, and I never tire of watching that. In fact, it’s more or less how I imagined and described my own character’s transformation in Hybrid and I still remember my excitement at seeing that being brought to life on screen for the first time. The look of the fully transformed wolf doesn’t quite do it for me though. I’m very fussy with my werewolves and if they don’t live up to the right mix of wolf and man I end up being disappointed. Van Helsing still comes in first place for my favourite movie werewolves–those are almost perfect, if only they had tails!
I also love the werewolves in Dog Soldiers and The Howling of course. The prequel to Underworld is another fav–it’s the historical setting in that one that does it for me, probably because of my love of fantasy. And Ginger Snaps is great for its humour and the slightly different take on werewolves with the way they permanently shift into a wolfish creature rather than just under the full moon.
And of course, there’s the 90s adaptation of Frankenstein. This one is the closest I’ve seen to the original book and was a huge influence on my teen self, along with the novel as mentioned above. Seeing Shelley’s story brought to life in a way which I feel really does the book justice (and it’s rarely I say that about a book to screen adaptations!) was almost magical.
In your Hybrid series, like the author Darren Shan you chose to use your own name as the main character, how much of yourself is reflected in the character?
There’s a lot of my teenage self in the first book, particularly in the earlier chapters before the character starts to change and grow darker as a result of his curse. Hybrid is actually a really personal story on a lot of levels and there’s probably more in there than fans realise which mirrors what my real teen self was going through in school. I was bullied, and I did suffer with severe depression, partly because of the bullying and partly because of the way things were at home, so the chapters where the character sinks into a similar state were written straight from the heart and much of that raw pain of my teen self survived through to the final edit.
Hunted and Vengeance are more or less pure fiction, and the character is much darker in those books and more adult. We all have those dark urges from time to time, the things we fantasise about doing to people who anger us for whatever reason, and I think a lot of that inner darkness comes out in my fictional self. It’s the perfect place to channel it without actually killing anyone!
In your writing, the specificity of the wolfs thoughts and actions astonished me. How did you get into that mindset?
I used to watch tons of nature documentaries on wolves and other predators so I think a lot of it probably comes from that, plus my own beliefs and passion for animal rights. All the stuff I learnt on real wolf behaviour I was able to bring in to his character, but I wanted to make it clear the monstrous side to him is purely down to the werewolf curse and the darkness of his humanity–wolves have been given a bad enough reputation as it is!
When I first started writing I actually found it easier to do the wolf’s character than the humans. Not sure what that says about my teen self!
Why do you think people are so interested in lycanthrope mythology?
I think it speaks to that primal part of us we’ve tried to separate ourselves from over the millennia but can never quite escape. We all have a favourite animal and things about that particular species we admire. I think for earlier civilisations who lived in much greater harmony with the natural world, the idea of shifting into other creatures and taking on their traits to become better hunters or fighters captured their imaginations, and it’s something that has stayed with us as we’ve continued to evolve. Lycanthropy as a curse came much later and historically was always as the result of witchcraft rather than the modern idea of a bite or a scratch passing it on. I think that horror side of things was a way of rationalising human monsters at times, before we came to understand more about the human mind and all that can go wrong with it. And in the modern day I think werewolves are a way for people to continue exploring all that remains uncivilised in our species and the wilder side to our natures.
The Hybrid series was a long journey for you, can you explain your process and how it led you to being published?
It certainly was, and to think at 15 I was young and naïve enough to believe when it was ready for publishing it would just happen!
After my cousin helped with brainstorming those first three chapters, the scenes we’d come up with started writing themselves in my head and it wasn’t long before I started working on them, amid my last year of school and exams and moving up to college. I would be in lessons daydreaming and my imagination would be going places in the Hybrid universe and coming up with all these scenes till I realised it wasn’t just a short story I had on my hands or even a novel, but an entire series! I’d also get narrative writing itself in my head and would have to commit it to memory if I couldn’t get away with making notes mid-lesson. Then the day would finally finish, I’d go home and get any homework out of the way and write for the rest of the evening (well, not quite the entire evening, every evening–some nights I’d want to read another author’s work or catch up on TV or enjoy some time on the PlayStation 2!). On weekends once homework was done, I’d devote some time to writing and some time to my other hobbies. I think it took me about a year to finish the first draft of Hybrid so I’d have been 16 when I finished writing it, then it ended up being sat on my PC for the next few years virtually untouched because I was too busy enjoying student life.
I got serious about being published again once I finished my studies–it was the only career that really interested me, despite doing a couple of different courses in my college years to try and find a back-up plan in case making a living as a published author never happened for me. But when I went back to this ‘masterpiece’ my younger self believed would be an instant bestseller, it was something of a reality check. I soon realised it needed a good rewrite, so I then spent an intensive year doing just that.
I’d not heard of beta reading at that point but a few friends begged me to let them read it so I did do, and two of those I still use for beta reading now. They say you should never use friends and family as beta readers because they never give you honest feedback, but I’m lucky that the friends who beta read for me are very good at picking up on any issues and feeding that back to me. So once I’d tested it on those brave guinea pigs and acted on the feedback I was given, I then started sending out submissions to all the big agencies I could find who would accept supernatural horror.
This was probably the hardest part of the whole process. It’s always disappointing to get a rejection letter–that’s one thing you have to learn to deal with as a writer. But so many places just don’t bother to acknowledge they’ve received your submission at all and it’s so soul destroying to go through weeks or even months of waiting and hoping you’ll receive a reply expressing interest and asking to see the full manuscript (as the initial submission is only ever a sample of your work, usually of the first three chapters, and a synopsis), only to finally accept, it’s probably another no. I did try chasing up one or two who never replied but didn’t even get an answer to my email asking if they’d received it!
I must have spent three years submitting to agencies (as it’s frowned upon to do a big blanket submission so I was restricting myself to sending out to a handful of places at a time) before I finally found Wild Wolf Publishing. They thought the story showed promise, but they felt the manuscript needed more work before it was ready for publishing, so I then did another major rewrite to fix what they felt was the main issue–namely that some parts read too YA while others were more adult, and it needed to be consistent for one or the other. I’d always intended it to be for adults so I edited out a lot of the really YA stuff, though the first one still ended up in the teen/YA section on Amazon, anyway! But Wild Wolf loved the new edited version I sent them and didn’t take long to write back asking to see the full manuscript. Things happened really quickly after that–it took only a month to hear back on the final decision once they’d read the full thing and it was the good news I’d been dreaming of all those years–they wanted to publish it for me.
Wild Wolf has been very fair with things like royalties and giving me a say in the cover design. It’s been much harder than I ever anticipated to try to make a name for myself though! As Wild Wolf are only a small publisher, I have to do 99% of the work marketing myself and chasing opportunities for doing readings and signings. Sometimes it feels like the world is against indie authors and publishers but I live in hope that someday I’ll be one of the big names in horror, even if it takes years of hard work to get there.
I have read that you are also going to be working in the dark fantasy genre, what themes are you going to be exploring?
The premise is basically immortal beings playing a game, using the fantasy world like a chessboard and mortals as pawns, which I touched on in my short story, Immortal Game. I wrote that one for a competition and when I shared it with the other members of Huddersfield Author’s Circle they all enjoyed it and told me to carry on with that world, then when I got into live action roleplay it really inspired me to write a short piece based on my experiences at my first larp event. The character in the piece is essentially the same one I play at larp but the world it’s set in is my own. So that then led to a load of ideas for developing the concept I’d got in Immortal Game and the two immortal characters in that story but set in the fantasy world of the larp inspired piece rather than modern day earth like Immortal Game. I’ve got tons of ideas for the gods and demons attached to that world, as well as the mortal main characters caught up in the game they’re playing, but it’s going to be a big project with all the world building so I haven’t done much with it yet.
I’d say one of the recurring themes across my work is the damage we’re doing to the planet and animal rights and there is going to be a sense of that in this one as well, but the corruption in that world will mostly come from the demons. It’s hard to say for certain before I’ve really started working on it (as I don’t do too much planning in advance – I’m more the type of writer who has an idea and just runs with it and sees where it goes!) but I think there’ll be themes of loyalty and betrayal like with my Hybrid series. It will be the kind of fantasy world that has magic and dragons but I much prefer writing anti-heroes and villains to out and out good guys; conflicted characters who have their own inner struggles which impacts the decisions they make, rather than just doing something because it’s right all the time. So it will definitely be dark fantasy rather than high fantasy, and there will probably be a good dose of my trademark gore in there.
What new projects should we be on the lookout for?
I’m currently in the process of moving my Hybrid series over from Wild Wolf Publishing to Miami Fox Publishing after the success of The Complete History of the Howling. The move will see a re-release of the first three books with brand new cover designs and they’ve had another edit for these second editions, plus there’s going to be just over 19,000 words of never before seen bonus content. This will take the form of a short story from a different character’s perspective to my fictional werewolf self. I had a lot of fun with that piece, building on the character’s backstory and exploring more of the history of the Hybrid universe, as well as doing a bit of a crossover with Vengeance and hinting at things to come in book 4.
Book 4 is now drafted and has been through a round of editing and is now going through the beta reading phase so I would hope to have that out later this year as well. And Hybrid fans can also look forward to another short piece in an upcoming werewolf anthology by Graeme Reynolds called Leaders of the Pack. My contribution is a prequel piece from the point of view of the werewolf who bites my character at the start of Hybrid. I’d written that one before doing the bonus piece for the second editions so there’s a little bit of a crossover with two of the characters from the prequel appearing in the second edition bonus story. I think fans are going to love it.
And finally (for now), in 2017 after finishing Vengeance I announced I was going to take a little break from the Hybrid series to work on my own take on the Pendle witch trials of 1612. It took a lot longer to write than anticipated due to the amount of research I had to put in–not just reading up on the trials and what we know of the people involved but into the time period in general to make sure all the little details were as accurate as I could get them when it comes to setting and things. I finally finished the first draft early autumn 2018 then went back to the Hybrid universe to do book 4 while the witches went through beta reading. I’m now about to start the next round of editing based on the feedback I’ve had and I’m hoping this one will also be out later this year, but it depends how much more work needs doing.
Many stories have been written about the Pendle trials but in my take on it I’ve really tried to put my own unique spin on the tale, weaving the supernatural into the historical setting and combining the horrors of the time with my twisted imagination. The feedback from beta readers has overall been very positive and is hopefully a good sign I’ve succeeded in doing the story justice. If anyone wants a little taster, this is another that started out as a short piece, though this one was written for a competition category ‘opening for a novel’ so it was written with the intention of being carried on with rather than a one off short story. It’s one of the free to read pieces I’ve published on my site and is currently titled The Reckoning. (Which works for this short opening but not the novel it grew into–I’ve still to settle on a title for the full novel.)
Hello everyone this is Jaye your Horrormadam bringing you an amazing new paperback called The Complete History of the Howling by Bryn Curt James Hammond. Bryn is a British-based best-selling author, journalist, TV personality and inductee into the 2018 Hall of Horror. Known for his thought provoking and in-depth books A Case For Murder: Brittany Murphy Files, and A Case For Murder: Anna Nicole Smith Files.
He now brings us the most complete and penetrating look at the History of the 1981 film The Howling and all of its sequels. The only book that takes the reader into the making of all eight feature films, with new interviews from the series cast and crew and takes a thorough look at the film’s creation inspired by Gary Brandner, who started The Howling Books in 1977 and developed them into a trilogy. If you consider yourself a hardcore fan of The Howling, then this is the book for you!
So let us get to the questions for Bryn and find out more about The Complete History of the Howling…
Why The Howling?
My decision to cover The Howling saga was partly down to my love of the fourth instalment in the long running franchise. It’s a movie that can be chalked up as being very ‘Marmite’, creating debates among genre fans, and I’m of the half that got a kick out of how bad it was.Steve Johnson (XFX) really made the most of what he had and developed some interesting transformations. I’m not sure how much was his own imagination or how much was the Diet Coke; whatever it was, it blew my mind on my first viewing. So, as in “Why The Howling”, I guess that’s my reasoning.
Why did you take a step away from writing true crime to write a compendium of The Howling History?
Writing true crime is extremely heavy going. You’re dealing with a sensitive topic that needs you to be in a headspace that is exuberantly depressing. The case files are often draining to read because of the level of detail about the deceased; whether it be the full autopsy report or the police interrogations in the aftermath, it makes the individual extremely human once more because of the way the case files are fleshed out. At times I found myself in a state of mourning and I needed a separate project to allow me space to breathe, so a compendium was the perfect fit for me to escape.
Why do you think the public has such a fascination with lycanthrope lore?
That’s an interesting one. I really don’t know why there is such a fascination with
lycanthrope lore; psychologically maybe the explanation lies somewhere between our
connection to our own dark side, which is ingrained into our very DNA, or our lust at times to escape and be someone entirely different, and/or the union of havoc once the man becomes the beast. We have all been in a situation where we’ve seen red and had the capability of walking away but find ourselves acting like a bull in a china shop, leaving only mess and destruction behind. Psychoanalysis aside for one moment though, it might just be down to the often outrageous FX these kinds of films serve up.
You were extremely thorough in your research and writing. Did you encounter any problems obtaining information or any troubles with interviews?
Any written work comes with such problems. Often it was that the performers had moved on and no longer wished to be a part of or be known for that earlier project, or in some cases time scheduling conflicts caused issues between the talent and my deadline.
I did have the occasional artist get upset when publicity was fairly rampant and they were not involved in the project. This occurred with one artist who basically stated it was his projects I was writing about and he’d not been contacted, when in fact I had approached him three or four times and although he read my emails he continued to ghost me. Eventually we spoke, and he was less than impressed that I didn’t kiss his butt. I said I could accommodate various ways we could do the interview but there was always something that cropped up, so I dropped him so he could focus on walking his dog or whatever else he used as an excuse I also clashed with two female leads from the series who will remain nameless. One actress, who gained a Golden Raspberry Award for the Worst Supporting Actress, demanded a five-figure sum for contributing to the book, so I graciously told her to find the nearest fire exit. Another was dismissive of her involvement in one of the films and basically wasn’t very pleasant, but we later worked it out and I drew a line under the experience and we ended on good terms. What I found frustrating was how dismissive and pretentious specific talent was about their involvement. The former lead, who’s made a living from her role as a lambasted sex bomb whose breast assets blew her the lucky curved ball in the right direction, continues to take, take, take without giving much back unless it involves the green stuff. I guess it’s just her way of escaping awkward moments, And hey, she’s paying her own way by making various unmemorable impromptu appearances, so I guess she doesn’t need to be involved in my Howling History companion book.
The Howling was released the same year as An American Werewolf in London. Did you learn anything about the duality of these films coming out together?
Each project was promoted to movie-goers in a very different manner, so they didn’t really compete with each other at the time. The Howling was sold as a slasher to cash in on the popularity of Friday the 13th, while An American Werewolf in London was a much more generic campaign. AAWIL was additionally released later than The Howling and Wolfen and had time to fix the problems The Howling and Wolfen faced when trying to find their target audience. So in terms of duality to get bums on seats that wasn’t really a thing. There were a few issues when it came to the hiring of Rick Baker, and Baker eventually signed onto AAWIL and his prodigy, Robin Bottin, took on The Howling project as his replacement.
Both films had iconic special effects transformations, both of which were worked on by Rick Baker. Did this change the aspect of physical effects vs camera effects?
Before The Howling came along, werewolf transformations had been achieved with lap
dissolves and progressive make-up appliances. The Howling really set the bar and certainly pushed the boundaries of development, but in fact it was Dick Smith that came up with the physical onscreen transformation. He had developed a specific technology for a transformation sequence in Altered States so it should be Smith and Altered States that receives credit for the advancement in physical effects vs camera effects but The Howling did push the envelope and similar methods were also used on AAWIL.
I don’t think Smith gets as much credit as he deserves. He single-handedly created the
combination of make-up with on-set practical special effects and even developed three foam latex pieces for facial prosthetic. Previously prosthetic face masks were made in one piece, which restricted the actor’s facial expressions. So I’d have to say while The Howling showed off some impressive FX and paved the way in which werewolf transformations are achieved the industry had the technology already.
What did you learn about how The Howling franchise developed?
The Howling franchise was a mess lol. There were far too many cooks in the kitchen and
nobody remembered how to ignite the oven after they had turned it off.
Any fun little teasers that you have to engage my readers?
Well, several of the crew were high as kites while making IV, V, VI and VII. Howling IV
was partly developed under the Cannon Films umbrella and they’re on-set safety methods were not very orthodox. The movie also has an alternative version and there are various cuts available, which included a longer sex scene and varying scene orders. No one really wanted to continue the series past Joe Dante’s original; it was more of a financial decision. Hemdale Film Corporation picked it up and moved forward with it but it failed to garner the same attention or commercial success as the original film or Hemdale’s other horror production, Return of the Living Dead. Howling V had such a minuscule budget they reused the werewolf costume from the fourth film but the crew could not work the animatronics so ended up keeping the werewolf in the shadows.
Contrary to popular belief there is no additional gore in Howling V and what you see on
screen is what was shot. The only cut footage was additional dialogue that had no real context in the film’s proceedings. Howling VII, besides being a terrible movie, suffered as much while in production as it did when it eventually made it to VHS through New Line Cinema. Most of the cast and crew were arrested only days before the cameras began rolling and there was a huge debate on how they were going to execute the SFX.
And the final teaser is that The Howling Reborn had Dee Wallace set to return to reprise her role, and it had been planned that, had the film been a success, they were going to adapt it into a series on a VOD platform. Sadly it wasn’t to be, and it was accused of cashing in on The Twilight films. The Complete History of The Howling is the definitive Howling companion and hopefully the teasers above will entice your audience to go and buy my book from Amazon.com. I really can’t stress enough how much love and compassion went into crafting the final paperback.
What are you working on now?
Currently, I’m working on The Complete History of The Amityville Horror and finishing A Case for Murder Aaliyah Files. My TV series Pop Culture Pulse is about to start filming, so it’s all go!
I want to thank Bryn so much for taking the time to answer my questions and in such a comprehensive way! I really appreciate it. I also wanted to reach out to Nick Stead who did the new unofficial story arc in the book. Nick is famous for his Hybrid Series which also deals with the supernatural lore of werewolves and vampires.
Nick, how did you get involved with The Complete History of the Howling?
It was really thanks to a mutual fan on Twitter asking if me and Bryn
would work together on a collaboration that led to me being invited on
board The Complete History of the Howling. I met with Bryn not long
after and it was his idea for me to ‘do what I do best’ and write a
short story arc for it.
How did you approach your story arc?
Bryn gave me the creative freedom to do whatever I wanted with the
story arc as long as it was just under 3500 words and based on one of
the movies. So my first port of call was to rewatch each film in the
franchise. I know Bryn loves Howling 2 and 4 but my personal favourite
is the first one, so those were the main three I focused on.
I really treated the story like a bonus scene that could have been
slotted into any of the movies, and it ended up being the first
Howling which inspired me. The idea actually came one night while I
was laid in bed with my mind buzzing (I have a lot of problems with
insomnia as my brain never knows when to switch off!), and the scene I
was imagining came just after where the first Howling leaves off,
where Karen White has transformed on live TV and we’re shown a few
people’s reactions. From there it was just a case of shaping that idea
into a short plot which would work in roughly the amount of words I
had, then getting to work on it. I did re-watch various scenes in the
Howling a few times while I was writing, as I really wanted to get the
feel of the movie into my story and the right characterisation for the
character I took from the film.
What was your interest in The Howling previously?
My interest in the Howling movies really comes from my love of
werewolves, which I’ve had for as far back as I can remember. I’m not
sure what started my love of them exactly but it could be partly down
to the bullying I suffered at school. I always joke I’m like Hagrid
out of Harry Potter – I love anything with big fangs and claws and a
taste for meat. But wolves were always my favourite animals so I think
when I first came across werewolves, it was something to do with the
idea of transforming into one of these creatures I was so in awe of,
plus all the power that comes with it, that caught my imagination. But
more than that, something about the kind of bipedal werewolves like we
see in the first Howling movie really spoke to me. That mix of wolf
and man in one awesome form with all the advantages of both species –
I would have given anything for that power as a kid, and it’s
something I never grew out of. Werewolves will always be my favourite
mythological creature and any movie which successfully manages to
capture all I love about them in the story line and the design of the
werewolves will always rank highly in my DVD collection. The first
Howling does exactly that – the effects are amazing for its time and
the look of the werewolves is just the right mix of wolf and man. The
other movies in the franchise are enjoyable as well for other reasons
but it’s really the first and The Howling Reborn which speak to me as
a werewolf fan. Though I could have done with less of the romance in
The Howling Reborn!
It has been an honour to be given the opportunity to be involved with
The Complete History of the Howling when I’ve always been such a big
werewolf fan, and I’ve really enjoyed working with Bryn. He’s a really
fun guy to hang out with and a good friend I’d never have met otherwise!
I also want to thank Nick so much for taking his time to answer my questions! I will be doing a followup interview with him to introduce you all to The Hybrid books and help you get to know him as an author better.
My last reach out was to Dee Wallace herself to see if she had any comments on her portrayal of Karen White in the original The Howling.
The Howling was one of the favorite moments of my career! I was starring with my fiancé and working with Joe Dante. How lucky can a girl get!
I want to thank everyone involved again and I do hope that you go check this book out and all of Bryn and Nicks works!
Hey everybody! I had the great fortune to interview an author and a phenomenal musician Jon O’Berg, He began playing piano at age 7, graduated with a Bachelor of Arts from the University of California, Irvine. He has done over a dozen albums ranging in style from atmospheric, to jazz, from funk to experimental, and from electronic to ambient. He has played with the amazing band Gemini Soul https://www.reverbnation.com/geminisoul. And he has written some absolutely fabulous books. I really enjoyed his horror novel Shatter Point which is a ghost story wrapped around the premise that everyone does in fact have a breaking point especially when an extreme haunt is involved,. So I wanted you to get to know him and for you all to check out his works, so let’s get to the questions!
My first obvious questions for horror writers, why horror?
I inherited a love of horror from my parents. Whether it was my mother telling ghost stories to neighborhood kids on warm summer evenings or my artist father painting skeletons, ghostly figures, and deserted buildings, horror surrounded me growing up. Horror speaks to one of our strongest emotions and often symbolizes issues such as social dysfunction and guilt. But even more significantly, for me, it provides the perfect vehicle for exploring the tension and ambiguity between what is real and what is imagined or unknown, which we must grapple with daily. That’s why authors like Paul Tremblay and Gemma Files especially appeal to me.
Do you have any favorite horror films or books that have influenced you or your work?
Shirley Jackson’s “The Haunting of Hill House”—both the novel and the 1963 movie. The shocking twist in Thomas Tryon’s novel “The Other” made a huge impression on me. And although it’s not a horror book, I love “To Kill a Mockingbird,” which has nightmarish elements with the Boo Radley house. Its concern with prejudice and social justice influenced my newest horror novel, which I hope to publish soon.
Have you ever gone to an extreme haunt like in your book The Shatter Point?
Are you crazy??? I wouldn’t last two minutes. Not my idea of a good time. I got the idea for the novel after watching a documentary on extreme haunts. That was close enough. I do like conventional haunted attractions, though. Living in Toronto, I’m fortunate to be near one of North America’s premiere haunts at Casa Loma, a castle that sits on an escarpment overlooking the city. Every October, the proprietors turn the castle and grounds into an impressive haunt. What could be a more appropriate setting for fright than a real castle?
Why do you think people are so intrigued with being scared?
I think it safely allows us to explore certain feelings and provides an emotional release. Kind of like riding a roller coaster, or the laughter after being frightened at a haunted attraction. I also think it helps us tame fears we have, such as fears of death and the disintegration of the body, and fears about loss of control. As one of the characters in my new novel says, horror is sort of like a vaccine that inoculates us. For a while.
Does anything frighten you?
Wasps. I can’t even be outside in the vicinity of those insects without coming unglued. Murderers. I’ve had close encounters with a serial killer, a mass shooter, and a colleague who chopped up his girlfriend—a triple whammy that continues to haunt my stories. And madness. The first time I experienced panic attacks, I thought I was losing my mind. These incidents, when they occur, are terrifying beyond anything I can describe.
You are a very talented musician, can you tell my readers a little about why you love music, how you pursued it in college and what your favorite styles and influencers are?
My mother wanted me to take piano lessons, which I did for seven years starting at age 7. I’ve always had a creative streak, and music provided an additional outlet beyond writing, making up games for my friends to play, and designing floor plans. In college I started out intending to become a writer, but after two years switched my major to music because, at that time, it came more easily than writing. I love how music and words go hand in hand to enhance each other. A very powerful combination. My tastes are eclectic, and I appreciate most styles of music from classical to rock to pop to jazz to rap. The style isn’t as important to me as the artist’s vision and how well it’s executed. Who’s influenced me? Meshell Ndegeocello, Tori Amos, Steely Dan, Jethro Tull, Herbie Hancock, Laurie Anderson, Todrick Hall, Esperanza Spalding, RuPaul, Joni Mitchell… I could go on.
Have you ever considered adapting your music to soundtracks for films?
I often get comments that my music (at least some of the instrumental stuff) sounds like a soundtrack. It would be fun to write music for a film.
You have done music for television, can you tell us more about that?
I wrote some background music for a couple of programs years ago—very light, inconsequential wallpaper music. It’s difficult because you’re trying to please a client who can’t necessarily articulate very well what he or she wants. So I didn’t enjoy that. But songs I’ve recorded have been used in programs on NBC, BET, Telemundo, the Hallmark Channel, etc.
Like your album Ghost Story, if it could be the soundtrack for a film what would you like to see happen in the film?
Hmm… Trying to tie together the different threads, it would be about demonic forces that unleash ghosts from catacombs under the earth to usher in the apocalypse. The ghosts cause people to do horrific acts against one another, like chopping off heads that they keep in a box. (Idea for a new novel?)
What new projects are you working on, or anything else we should be on the lookout for?
I just completed a novel about a drag queen and his female friend who run a horror podcast and share a passion for fashion, art, and horror. When they learn their apartment building might be haunted, they investigate with the help of their quirky neighbors, but uncover something sinister that threatens them all. And there will be a companion album of horror songs written by one of the characters in the story. I’m currently seeking a publisher. I also have an idea for another novel that I’ll start writing soon.
“The Shatter Point” is available at Amazon (https://amzn.to/2IAFL79) and other online retailers. My music is available at iTunes, Amazon, Spotify, Pandora, and most online sources.
In this interview I would like to present you with an amazing woman, a fabulous writer and intellect, and also an inspiration. Her name is Rhonda Jackson Joseph. She is a horror writer, a member of the Horror Writers Association, and a professor based out of Texas. Her analysis of gender, race, and, horror has really inspired me to look at all who indulge in this world of horror that we love so much. Primarily a man’s game, I want to look at the differences we all bring to the table. Male/female, black/white/yellow/brown, different religions, different countries, different sexual orientations… how we all see horror differently. So starting off my adventure, I bring you the great lady herself and her answers to my questions:
First, thank you so much for having me over for a chat, Jaye. I always enjoy talking with other women in horror.
Where did you get your love for the horror genre?
I grew up in a home always filled with books and magazines and the ones my parents didn’t think to hide were the horror ones. I’ve always had a dark nature, so I was drawn to these tales of monsters, weirdness and evil. My father was the one who collected these books and every now and then I would talk him into allowing me to watch the horror movies with him. I was really young, maybe 6 or 7 or so. The adult me is glad he didn’t have the best parenting judgement because otherwise I probably wouldn’t have gotten all that exposure to the things I love so much.
What are some of your favorite horror films?
Some of my all-time faves are Blacula, the original Poltergeist, Pet Sematary, The Exorcist, Beloved and all the classic Universal monster movies. Recent additions to my list are Get Out, The Quiet Place, and Hereditary. Apparently, I’m drawn to sympathetic monsters and also utterly terrified by parenthood and societal horrors.
How did you get into writing?
Writing has always been how I best express myself. The written word never fails me, even when speaking does. I’ve been full of words since childhood, with a knack for telling stories. I also have a mother who always supported whatever I and my siblings wanted to do and she continuously praised my writing and encouraged me to continue the sharing of myself through words. My insatiable curiosity helps, too. I never run out of things to write about because I question everything, all the time. Everything that happens and my experiences are fodder for stories or poems. Even things that don’t happen are fair game. Writing is such a part of my being that I can just never quit.
Who are some of your favorite writers?
So many faves! I read way more than I write, which is good in some ways but terrible in others. I love classic writers such as Edgar Allan Poe and Mary Shelley. I also like Shirley Jackson, Octavia Butler, and Tananarive Due. Stephen King is one of my favorites as is Linda Addison and Lori Titus. And L.A. Banks will forever be #writergoals.
Which books inspired you?
I mostly read Stephen King, Dean Koontz, and John Saul as a child, so I was heavily inspired by their works to write my own creepy fare. The works of Tananarive Due and Toni Morrison inspired me immensely because they showed that black women could write riveting horror. But the most influential book overall in my horror writing was the Bible. I was raised as a Southern Baptist and those stories and the ways preachers would impart them were horrifying! I also liked the hidden messages and the ways the words could mean various different things.
I learned the word misogynoir while researching you. Can you explain it to my readers and how you feel about it or counteract it?
This is an excellent question! Misogynoir is a term coined by African American feminist Professor Moya Bailey to describe a specific hatred that is enacted upon black women. Misogynoir reflects an intersection of race and gender in the ways black women are victimized. I grew up feeling the weight of not just being black but of also being a woman, so the word feels right and encompasses the entirety of my experiences with such hatred in a way that the term misogyny ignores with its single focus on my being a woman.
One specific way I work to combat misogynoir is simply by daring to write black women’s experiences into the horror genre, as an unapologetic black woman. I write about black women being terrorized by monsters because so many experiences of black women are horrific. I write about black women being monstrous because we should be allowed to lean into this element and receive power and sympathy as other monsters do. I write about why we need these depictions, why the genre (really, the world as a whole) should embrace these characters and stories as relevant, lived experiences that encounter horror and monstrosity in various ways.
What drew you to writing in academia?
I often tell folks I’m an accidental academic. I attended graduate school primarily to get a degree that would allow me to work part-time teaching at the college level, where I would make more money than in any other part-time job. I also needed the flexibility so I could still care for my children. I didn’t know the pursuit of that degree and the people I would meet along the way would also create avenues for me to find a still growing corner of this discipline where I might be able to make valuable contributions. I honestly had no idea that writing about black women and horror from an academic standpoint was a thing. Then I met Dr. Kinitra Brooks at a horror convention and searched for everything I could find on her work about black women in horror and popular culture and I finally knew what I wanted to be when I grew up. My entry into academic writing may have unintentional, but apparently, this is where I need and want to be.
What do you find truly horrific?
Ah…our existence is immersed in darkness and overrun by monsters. If I had to choose the most horrific things I’m aching over in this moment, I’d have to say humanity’s lack of empathy and the assassination of intellectual curiosity. It scares me that human beings can deny other humans their right to basic personhood and exalt their cruelty. Now, I wouldn’t say there was ever a time in my lifetime when this empathy existed in abundance, anyway, but I just would have thought we’d be beyond this point by now.
And I grew up surrounded by people who didn’t have advanced educations, sometimes not even through high school, and yet they still sought knowledge and facts to make decisions about their lives in general. Now we have folks who have multiple degrees who disregard facts and make illogical and unsound arguments in bad faith… and others blindly follow them. Critical thinking is pretty much dead, and it doesn’t seem it will even be resurrected as a zombie, so when it’s completely gone, it’ll just be gone.
If you could have a frank discussion with any five people in history: living or dead, who would it be and why?
This is a fun one! The chance to ask Mary Shelley about her writing process and inspiration for Frankenstein. I want to hear it from her without the filter of years of research. And meeting Edgar Allen Poe would be a dream. I often wonder how he managed to avoid ultimately succumbing to his demons before he did. I’d absolutely love to have a conversation with Margaret Garner, the enslaved woman whose story of matricide inspired Toni Morrison’s Beloved. As heart wrenching as it would surely be, I’d like to hear from her the desperation that drove her to murder one child and attempt to murder the others in an attempt to save them from slavery. I’d like to talk with Toni Morrison, too. I continue to be inspired by the way she uses words to make experiences immersive. I’d just want to shake her hand and hope some of her glitter rubs off on me. And James Baldwin seems like the kind of person I would seek out at a party, someone I could have stimulating conversations with while the world went on around us.
What are you working on now?
I work best when I’m juggling different projects, so I’m currently working on a few things. My main focus right now is an essay on the Netflix series “The Haunting of Hill House”, for a collection being compiled and edited by Dr. Kevin Wetmore. Also, I’m outlining two different academic book proposals for submission to publishers. In the background of these academic projects is a horror novella and a couple of chewed on and incomplete horror short stories that I hope to finally finish. By the end of the year, I’d like to have a collection of short stories to shop around to publishers.
I would like to yell three shout-outs. The first is to announce that I will be making an academic presentation at the Ann Radcliffe Academic Conference at StokerCon in May, called the “Rendering the Invisible Visible: Black Femininity in Horror”. It would be great to have some folks come out to join the conversation.
The second is for Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series, a collection of essays edited by Dr. Kevin Wetmore that made it onto the final ballot for this year’s Stoker Awards. The third is for Sycorax’s Daughter’s. edited by Dr. Kinitra Brooks, Linda Addison, and Dr. Susana Morris, which appeared on last year’s Stoker Award final ballot. I’m super proud to have contributed to these amazing books and I look forward to more works from these magnificent writers and editors.
I’m currently accepting abstracts for multidisciplinary academic presentations at the Multiverse Science Fiction and Fantasy Convention in Atlanta this October. Please see our call for papers on our website here: https://www.multiversecon.org/papers
I want to thank Rhonda so much for giving me her valuable time and insights! If you would like to learn more about her or her works, I have included some links for your perusal: