Trembling With Fear: Year 1 Book Review (2018)

I will honestly say that I am usually not big on short stories because I like to get involved within a story and live there for awhile. But that being said, the book Trembling With Fear: Year 1 really changed my mind on this. Everyone of the stories were beautifully written and thoroughly concise in there execution. I got everything I expect from longer books with just many more stories to enjoy!

The book is an amalgamation of stories from the site the Horror Tree of which Trembling With Fear is a branch of. Horror Tree is a great resource for authors, whether they be established or new innovative and ingenious voices, as an outlet  for their written material. Find more out about Horror Tree here:

https://horrortree.com/

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I have borrowed the next information from the intro to the book Trembling With Fear: Year 1 so that you the reader can get an exact idea of what they do:

Trembling With Fear is a branch of Horror Tree which publishes original fiction every Sunday morning. In it, they have a minimum of one short story and three pieces of flash fiction on a weekly basis. They are not a static publication however, and have recently introduced serials as a new feature and no doubt there will be other developments. Please check the Trembling With Fear Submissions page for details on how to submit.

You can find that page here: https://horrortree.com/submissions/

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And please pick up the book, it is a real slice of horror entertainment. So many diverse voices and ideas that there is something for everyone in it and you will not be disappointed!

It is available here at Amazon on Kindle or in paperback form with a 5 star rating!:

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Roger Jackson-Author Interview (2018)

Roger Jackson another friend from Twitter was kind enough to let me ask him some questions about his writing. He is a Whovian and a self-proclaimed proud geek and an intelligent and fun one at that! So lets get to the questions!

What do you love about horror?

Its flexibility as a genre. We can have Horror stories so many elements, romance or comedy or social truths and yet the core ideals of the Horror story remain undiluted. It rarely plays well in the other direction. I can have a love story about werewolves and it still works as a Horror story, but throw a lycanthropy grenade into the middle of Verona and Romeo and Juliet’s asses are mine.

Why do you write horror?

All of the above, but I think the most straightforward answer is that my brain is wired to embrace the darkness. I didn’t have any parental or familial influence as a child, which rather wonderfully meant that I was left to my own devices, and I was always drawn to the forbidden, the scary movies and books and comics. They’ve always been the most comfortable and natural way to process the world around me, and in the end that’s what writing is, processing the internal and external worlds through one’s own personal filter.

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Who are some of your influences?

I’ve been influenced more by concepts and events than by individuals, I think. Certainly, the more media I consumed, the more I saw what worked and what didn’t. I remember seeing my first dead body when I was perhaps five or six, a child a little older than me pulled from the mossy waters of a local river, and almost at once making the link between the fear and queasy excitement of the assembled onlookers and my own feelings when I watched a Horror movie. I saw that bridge between the real world and fiction, and I suppose that was a key point in terms of an influence.

Favorite books, authors, and films?

My favorite book would have to be Pet Sematary, if only because it’s so unrelentingly bleak. The pages are soaked in death and futility. I don’t really have a favorite author, though, because everyone brings something to the table. I have a least favorite author, but let’s not go there! Favorite movies? So many! The Devil’s Rejects, most likely, because the ending makes me cry.

Tell us about the art that is your heart-kintsugi?

Well … most people know that Kintsugi is the art of repairing ceramics or pottery with a lacquer dusted with powdered gold. Rather than throwing a broken object away, Kintsugi means to extend its life and make something beautiful out of its scars. A few years back, I was ill and at the same time experienced from someone close to me a level of coldness and cruelty that I didn’t think they were capable of, and as a result there was some emotional breakage. I picked up on the Kintsugi thing because that’s how I am now, proud of the scars I’ve been left with. Everyone should be proud of their scars. They’re symbols of survival. 

What do you prefer British or American horror and why?

I’d have to say British. There’s a weird kind of glamour to a lot of American Horror, whereas the British stuff is often realistically ugly and decaying.  Movies like Death Line or Mum And Dad or even Human Centipede 2 (set in London) have this wonderful texture of griminess and threat that’s often lacking in American stuff.

What are some of your favorite weird things, or what do you like to do that is weird?

Weirdness is subjective, but I love art like Goya’s Witches’ Sabbath, because I like things that subvert expectations or accepted morality. I don’t know if I personally do anything weird, but … if I pass a dead animal in the street, a crushed cat or slaughtered bird, I always take a snapshot on my phone. I have quite the collection, but I think that when the corpse has been removed and the last of the blood dispersed by the rain, it’s important to remember that the animal had lived at all.

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What do you want people to know about you?

Probably that I’m not as scary as these answers make me sound!

Do you have a personal motto or mantra?

“Get Better, Not Bitter.”

I want to thank Roger so much for taking the time to answer my questions and you can read more of his work here:

https://jabe842beyond.wordpress.com/

https://www.instagram.com/jabe842/

The HORRORCIST Interview (2018)

I have a good friend on Twitter with a fabulous website called The Horrorcist from London, England. Great trailers, and movie reviews and amazing discussions on all things horror. I was fortunate enough to get to ask some questions from the team, so lets get to all the enlightening horror answers!

Why horror?

I just love horror! The way it makes the hairs on your arm stand is like nothing you’ll ever feel in another genre.

What scares you and your team?

I think for myself, the things that scare me have to be the supernatural paranormal side of things. I mean, it could happen right and if it did, the demons you’ll face are demons you’d never ever wanna face or could even imagine existed.

What is the best horror genre and why?

It’s hard to say what’s the best horror genre as I love them all to be honest. You’ve got your good old slasher for the gore side of things and then the paranormal side of things that really scare the shit out of you as well as a jump scare. If I really had to pick, it would be supernatural/paranormal Horror.

Some of your favorite slasher horror films?

My favorite slasher films will have to be your Halloweens, Friday The 13th’s, A Nightmare On Elm Street films, Texas Chainsaw Massacre and Scream.

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Some of your favorite paranormal horror films?

Some of my favorite supernatural films will be the likes of Insidious, Sinister, The Conjuring, The Exorcist and Poltergeist to name a few. The list goes on haha oh, and I’d like to mention IT and The Final Destination franchise!

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Some of your favorite Horror comedies?

My favorite horror comedies will have to include Shaun Of The Dead. I absolutely love that film. Nick Frost and Simon Pegg are the perfect duo. Severance is also another good horror comedy along with the obvious, Scary Movie franchise.

What type of horror do you think we are gonna move into in the 2020’s?

I think we’ll see a lot more slasher films in 2020. The genre will stay host of your paranormal films still as that will be big in the coming years but, personally, I can see some more slashers hitting the big screen. This year’s Halloween will kick start the slasher hype again along with the news that another Halloween film is already in the works that could be released next year! Also, could we potentially see another Friday The 13th film? Who knows…

Favorite horror directors?

Some of my top horror directors will include a lot of other horror fans pick such as John Carpenter, Wes Craven and George A. Romero but, I’d also add James Wan, Andy Muschietti ,Scott Derrickson, and Tobe Hooper. I’d like to mention a couple of upcoming directors from the indie scene who are going to be a name in horror. Michael Kehoe and Charlie Steeds. Both these guys are super talented.

Favorite guest and stories from the Demonic Podcast?

I can honestly say every guest on The Demonic Podcast was amazing. It was great to hear about their roles in horror and how their journey began. The Demonic Podcast will be returning again soon for sure and I’ll be co-hosting alongside  Zobo With A Shotgun and Rachael Rumancek.

I want to thank the Horrorcist so very much for taking the time to answer my questions! To learn more about the site and catch up on The Demonic Podcast just go to:

http://thehorrorcist.com/

Kelli Maroney-Actor Interview (2018)

From Fast Times at Ridgemont High to the Chopping Mall, and from Night of the Comet to True Blood, and many other great roles, Kelli Maroney can do it all. I became a huge fan when I first saw Night of the Comet. So many films at the time had women tripping and falling and basically being helpless and here come this blonde cheerleader who gave as good as she got! She was not a victim and there is nothing better then a bad ass female kicking ass and driving off into the sunset! I was very excited to be able to ask Kelli a few questions and being the kind and gracious actor that she is, she kindly answered them. So without further ado lets get to the questions!

I know you were headed to the National Shakespeare Company in New York but you immediately got cast in Ryan’s Hope, did you get any formal acting classes?

Yes, I had a whole season at the conservatory the summer before, plus I was an apprentice at the Guthrie Theater before attending that school. We, the apprentices, were “extras” in the productions, and visiting rep actors like F. Murray Abraham, Steven Lange, and William H. Macy taught us classes in lieu of paying us for performances, because there were so many of us that the LORT theater couldn’t pay all of us. Or, any of us, for that matter.

You started young and I know you wanted to leave acting for awhile but you are still huge today. How did you stay grounded and do you have advice for young girls and women coming up in Hollywood and or the movie industry?

It’s not really that I wanted to leave acting, it’s that I was in-between “Young Babe” and “District Attorney” roles, so was starting to get a lot of victim roles, which I hated playing, because as I found out much later, they go against what we call now my “brand.” So I started looking around for other things to do with my working life to put food on the table. I wasn’t making enough money during that period to support myself properly and I was tired of compromising and trying to be what I thought they wanted, so acting became not fun for that period of time. My advice is always, “Be true to yourself. If something doesn’t feel right, it isn’t. You don’t have to do anything you don’t want to do. Don’t sell yourself short because you think it will get you somewhere in the end. You’ll be torturing yourself unnecessarily. Focus on learning your craft and being professional. Meet people as human beings and not as “connections.” They notice that. You won’t feel powerless as long as you remember that you have something to offer others, so focus on what you have to give and not so much on what you want to get.” That’s about it.

Do you enjoy doing horror films and what are some of your favorites?

I love horror, I love making movies, and every role I do is my favorite for one reason or another. I love paranormal horror and possession stories but haven’t gotten any of those kinds of scripts yet. I loved what Vera Farmiga did with THE BATES MOTEL, creating the role of Norma Bates and producing the series as well as starring in it. It was fantastic.

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Why do you think it is important to have more women in film?

Well, we are at least half the population of the human race, so it’s likely that we have pertinent things to say about it. The “boy’s club” is in the process of being dismantled, but it’s difficult to change things when they’ve always been a certain way forever. So, it’s a process. Some of the covers are being pulled as to the way it’s operated previously, and hopefully people will speak up more now, and not be silent when things are unjust. Everyone will be happier if/when that happens. The industry is evolving as we are evolving.

What was it like working with John Hughes and Alan Ball (I know it was a shorter time with Mr. Ball)?

I never worked with John Hughes, although people often think I was somehow involved in his films for some reason. I auditioned for him once, and Molly Ringwald was reading with the other actors. She absolutely towered over me in a not-great way. I It was actually very funny, but not going to work for those scenes.  Alan Ball was wonderful He loves the genre films of the 80’s and treated me like a queen. I was very honored. It went by too quickly for me, and I wish I’d gotten to work with him more. There had been talk of making my TV Evangelist a recurring character, but they had so many potential story lines that it never ended up happening. I’d have been so delighted  to do that, as I LOVED the show.

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Can you tell us about Rick’s Martini Bar? 

It’s a podcast that I was interviewed on for FAST TIMES. The episode went well, and the podcast host and creator, Jerry McCarty, invited me to co-host. I’ve been doing it for around 8 years now. Not every show, but I book celebrity guests and Jerry and I bounce off each other for a nice contrast. It’s syndicated and available for free on iTunes. I believe it’s winding down now, and I’m thinking of doing another podcast, but don’t have any details on that yet.

What are some of your upcoming projects?

I was just a judge for the film festival SHRIEKFEST, which is a great honor. The film festival opens tomorrow evening! EXORCISM AT 60,000 FEET will premiere pretty soon, but no hard date at the moment, as It’s just coming out of post-production now. I’ts a horror/comedy with me, Lance Henrikson, Bill Mosley, Adrienne Barbeau, Bai Ling, Kevin O’Connor and more. It’s sort of a cross between AIRPLANE! meets THE EXORCIST meets SNAKES ON A PLANE. The comedy is just..wrong– is the best way I can describe it! I’m sure people will have a lot of fun with it. 

And  I was thrilled to work with Tyler McIntyre (SUICIDE GIRLS) on BLOWING UP EVERYWHERE, a festival short that will be making the rounds. I’m looking forward to having a few films on the festival circuit. Next year I’ll shoot TO AVENGE, A crime-thriller set in Ocean City, MD. Of the things that I can speak about, that’s all the info I have, so far.

If you could play any role, what would it be and why?

I’m more of a gun-for-hire than an actor who has dream roles, honestly. It’s what I’ve done my whole career so far. One thing I know from experience is that my “brand” is Survivor and Final Girl (Woman) and I dislike victim roles. That may change as I work and grow. We are always growing. Plus, that could be an over-reaction on my part to the really ridiculous number of  “victim” roles I’ve come across, and it could be that I’ll snap out of it eventually. 

Do you have a personal mantra? Is there anything you would like people to know about you?

Always raise the vibe of any room you enter, every time. You’re there because you have something to contribute that is needed, even if you don’t know what that is at the time. Ask, “How can I help? What can I do to support you?” 

I want to thank Kelli so much again for taking her valuable time to answer my questions. To learn more about her or to follow just go to:

kellimaroney@aol.com

http://www.kellimaroney.com

Badass Cheerleader Productions

contact@kellmaroney.com

kellimaroney@gmail.com

 

All Hallows Eve Poem (2018)

Fall is in the air and Halloween approaches

The nights come sooner and the mornings darken

But the crisp air and the falling leaves seduce and harken

The arrival of the autumnal equinox

 

Ghosts and Spirits are ready to cheer

For the time when the veil is thinnest

Soon will draw near

Witches ready their potions and dust off their brooms

Knowing the witching hour shortly will loom

Over the full moon in the night sky

Bats and crows fly around soaring so high

The wind blows around whistling so loud

The creatures of the night are forming a crowd

Monsters and ghoulies are ready to scare

Hoping the kiddies will come to their lair

Tricks or treats, which ones will they choose

Devilish misdeeds or just simple boo’s

Ready your pumpkins for the time is near

For All Hallows Eve ere long will be here

 

9/29/18

 

 

Erik Henry Vick: Horror Author Interview (2018)

I had the good fortune to meet Erik on Twitter and he quickly became a favorite of mine with his wit and intellectual comments. After reading his book Demon King I was thoroughly intrigued and had to learn more about him, his wife Supergirl, their rottweiler named after the thunder god and their two crazy cats. Erik has done so many amazing things. Erik has a B.A. in Psychology, an M.S.C.S., and a Ph. D. in Artificial Intelligence.  He has worked as a criminal investigator for a state agency, a college professor, a C.T.O. for an international software company, and a video game developer. Whew I am tired just writing all of his accomplishments! So let us find out more about this talented man!

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Why horror/fantasy?

~My fiction has always had a dark streak. When I was young, I heard the adage: “Write what you read.” At the time, I was reading a lot of science fiction, with a smattering of horror, so I thought I should write science fiction—dark scifi, granted, but scifi. I wrote some cyberpunk and tried very hard not to recognize that as much as I love reading scifi, I’m wasn’t that great at writing scifi. Let me put it this way—my “scifi” was frequently compared to Dean Koontz or Stephen King 😊

 

When I returned to writing fiction after being disabled, I first had the idea while re-reading one of my favorite authors, Stephen King—specifically I was reading the Dark Tower series and thought it would be cool to write something with the same depth, with the same “Epic Quest” quality. I had been playing around with an idea in my head about a serial killer that was a wendigo, and the Blood of the Isir series was born. It was so easy to write dark fantasy, and even easier to write straight horror, I was sure I found the right genres. Having said that, I do have plans for a scifi horror novel at some point.

What and who are some of your favorite horror films, books, and authors?

~I love Stephen King, Dan Simmons, Robert R. McCammon, Anne Rice, Ambrose Ibsen, Joe Hill, Walter Jon Williams, and many, many more.

As for films, I seem to be drawn heavily to scifi horror like the Aliens franchise and Pandorum, but I also love original movies like the Babadook, Gerald’s Game, A Quiet Place (I love, love, loved this movie!), The Others, etc. Having said that, I almost never turn down a horror movie.

What I dread in either setting is formulaic, repetitive stuff. You know what I mean… “So-and-so has sold a gerbillion books writing about butterflies, so my next book will be about butterflies. I’ll call it ‘Butterflies on a Train!’” Yech.

Can you tell us a little bit about your work in A.I.?

~I spent most of my time trying to make artificial characters into something more than talking heads. My Ph.D. explored building synthetic personalities by basing character drives and emotions on trait-based personality theory (from psychology). I also did some work in Natural Language Understanding and machine learning.

Also can you tell us about some of the video games you helped develop?

~I worked on Madden directly, and as a character AI adviser on many others under the Electronic Arts umbrella. Probably the most fun I had in the game industry was working on a project that never made it into production—an MMO concept set in Frank Herbert’s Dune universe.

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I love the Hank & Jane IRL, would Supergirl like to comment on you and or your work?

~Direct from Supergirl:

Erik is one of those people who is good at everything he tries. This amazes and annoys me in equal parts. At the time he got sick, he was a professor at a private university. We had moved thousands of miles from family a few years prior so he could take the job. It was a difficult time and eventually, even with all the help and support the university provided, he had to stop working. I remember the day I filled the car with the contents of his office. The next few years are a blur to both of us, him due to pain and medication and me due to working and handling the family and house stuff. I do remember that we started to go for drives as a way for Erik to get out of the house and for us to chat.  We have always been the kind of couple who enjoys spending a lot of time together.

At some point Erik began talking about wanting to write a story with a character that had RA. I encouraged (or nagged, potato/potahto) him at every turn because I wanted him to have something of his own again and be more than the RA. I told him we didn’t need to worry if it ever got published or how long it took to write but that the writing was what he needed to do. We set up the office with a recliner and a swing arm for his monitor and keyboard so he would be able to sit long enough to write more than a sentence or two. There were flares that interrupted and the writing went in fits and starts for a while but eventually he had something.

Any interesting stories (that you can tell) from your criminal investigative days?

~I can’t say much from the investigative days, but my experiences drive my writing, to be sure. There are far more horrible things in the world than we give it credit for. One of the scariest moments in my life was an interview with a homeless man when gradually realizing the depth of his paranoia and persecutory delusions, then discovering he was armed with .45 caliber pistol.

My years working on a psychiatric intensive treatment unit also fuel my work—in fact I am developing a concept for a novel or two pulled directly from my time there, and parts of Demon King came from this part of my life, as well (and not just the obvious bits 😊).

What would you like people to know about you?

~I have a so-called invisible disability. It’s not really invisible—it must easy to see based on the glares I sometimes get when Supergirl pumps the gas, holds the door open for me, or cuts my steak in a restaurant. It’s especially not invisible for my family and friends. It has changed me-physically, but it has not conquered me, and it has not changed who I am at the core (a big, dumb, stoic Viking). For more about my pointy-stick collection, please see:

https://erikhenryvick.com/2017/06/11/how-can-you-do-that/

https://erikhenryvick.com/gear/

Even with this stupid disease, I love life. I’m a positive person most of the time, and I try to have fun with whatever I’m doing because that’s the best sharp, pointy, monster-poking stick I can find. I love to laugh, and I love meeting and talking to people.

How do you combat writers block?

~I don’t really suffer from writer’s block. Don’t get me wrong, there are days when I shouldn’t write, and most of the time, I’m bright enough not to waste time on those days, I just go relax with a good book or movie. I mostly have the reverse problem. I have far more ideas than I can write in the time my Personal Monster™ allows me. I’m rapidly filling up a digital notebook of ideas, beginnings, endings, characters, etc. Hopefully, I’ll be able to figure out a way to write faster (or develop implant technology that sucks the stories directly from my head while I sleep).

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Any advice for other writers facing their own “personal monsters”?

~Push that monster out of the way and get to work. Find a way to do what you need to do. Experiment, take notes—whatever is necessary. DO NOT LET THE MONSTER WIN.

Do you have a personal mantra?

~If I do, it involves Personal Monsters™ and sharp, pointy sticks. Or maybe something funny.

I want to thank Erik and Supergirl so much for taking the time to answer my questions and give us such a personal look inside this amazing authors mind!

You can learn more about Erik and his books here : https://erikhenryvick.com/

 

 

Horror Fan: A Poem (2018)

Horrorverse, Universe

A Place that I like

I might run into Freddy, Jason, or Mike

Halloween is our Christmas

And frights just delight

Love to be scared on a dark stormy night

Gothic or classic, Paranormal or slasher

Monster or Giallo or just a gore splasher

We love all the terror that horror rouses

We even go out to real haunted houses

Movies or art, music or books

Sometimes can get us some real dirty looks

But love it or hate it

We really don’t care

Cause we are really just looking 

For our next big scare

9/20/2018

 

Gary Scott Beatty: Webcomic Designer Interview (2018)

Gary Scott Beatty has been coloring comics since 1999. He also writes and designs his own comics and books and has designed the Webtoons Webcomic the Gods of Aazurn. He also has does  book cover art along with digital painting illustrations and Jazz illustrations. I was very fascinated to find out about online comics being a comic book lover myself. So let us get to the questions so you can go out and start reading these amazing comics also!

Why a horror comic?
~When I began the Gods of Aazurn stories in the Indie Comics #1, #2 and #3 anthologies they were dark fantasy, positive myths cynically turned to despair.
There are horror elements in every genre of entertainment. Where would Shakespeare’s Shylock be without his demand for a “pound of flesh?” Nirvana’s “Come As You Are” without Cobain swearing he doesn’t have a gun? “Game of Thrones” without winter coming?

Horror is drama, that place in a story when you see that the dark places gaining the upper hand. Why not horror? It’s everywhere.

Who are some of your favorite comic artists and writers?

~I recently got halfway through a top 10 list of comics that most influenced me before writing and drawing Gods of Aazurn weekly on Webtoons.com took over my time.

That list included Enki Bilal, Philippe Druillet, Moebius and (later) Richard Corben in Heavy Metal Magazine #1; Barry Smith and Roy Thomas on Conan the Barbarian #7 (1971); Robert Crumb on Big Ass Comics #2 (1971); Gilbert, Jaime and Mario Hernandez on Love and Rockets (1982-1996); Jamie Delano, Garth Ennis, Paul Jenkins, Warren Ellis, Brian Azzarello, Mike Carey, Peter Milligan and more on the original run of John Constantine: Hellblazer (Jan. 1988).

How did you get into coloring and comic art?

~I just always wrote and drew stuff. I wouldn’t recommend anyone get into this if they intend to pay the rent. For me, it’s always been a compulsion to tell stories.

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Do you think there is higher intelligence out there?

~There’s certainly a higher intelligence than me

Where did you get your love for Lovecraft?

~I first remember reading H.P. Lovecraft and other Strange Tales magazine reprints in paperbacks in my early teens, most likely attracted by some trippin’ cover art. I’m not sure where I bought them, but I own a set of Arkham House hardcovers from 1963 that I’ve felt compelled to reread over the decades.

Why do webcomics and not physical copies?

~I have graphic novels readers can buy. They can find them from my publisher, Caliber Comics, by going to http://strangehorror.com/

That website is also a good way to get to the free webcomic. Webtoons.com has a pretty long URL for Gods of Aazurn, I usually just go through http://strangehorror.com/ because it’s easier to remember.

Tenacious readers usually figure out that online reading is just reading, and go back and forth without a second thought. Google Books, for instance, is where I go to read Lovecraft’s contemporaries and influences, like Clark Ashton Smith and Lord Dunsany.

Tell us about the new “Welcome to Dunwich” webcomic.

~They are frightful and dark and divine, and their subjects despair. Earth humans are lucky. So far, the Gods of Aazurn do not care about us, even enough to reach down a mighty hand to be cruel. That’s about to change.

As of this writing I’ve posted nine stories that could be read individually or as chapters. The Rescue is a story that begins to pull the others together.

The Rescue is in actuality a teaser for the bigger GOA story coming after the newly colored and formatted Welcome to Dunwich, beginning September 19.

Welcome to Dunwich is a nicely self-contained story with an eerie beginning and horrifying end illustrated by Mark Bloodworth. Unfortunately for me, I also like the characters, and they won’t leave me alone, so I may have to do more story in the town of Dunwich. After all, the twins have yet to be born.

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What do you want people to know about you?

~As little as possible. Mystery makes me interesting.

I’m not one to dwell on past accomplishments. I’ve been producing stories for decades, but the best ones are available to read now! My world is at http://strangehorror.com/

For more background and behind the scenes, people can sign up for my Fan List there. I usually post something engaging and entertaining once a week.

Do you have a personal mantra?

~I’m not a big believer in mantras, Horrormadam. There is so much that is true in the world and it’s the journey that leads to discoveries. There is no formula, other than stay sharp, keep thinking and be hyper-aware. Sort of the same skills it takes surviving the zombie apocalypse.

Such true words, I want to thank Gary Scott Beatty so much for taking the time to introduce me to webcomics and for taking the time to answer my questions. You can learn more here at : http://strangehorror.com/ and http://www.garyscottbeatty.com/

 

 

Dark Carnival

Cryptic circus

Darkness dancing

Visible blood

Twice enchanting

Romance long dead

Loves forgotten

Heart once red, now is rotten

Come & play, come &play

To fight again another day

Nostalgia gone

Memory lost

Came back again

Too much at cost

Eventide no longer dancing

Cosmic blood just advancing

The fault in our stars

Aren’t ours, aren’t ours

But the sanguine ground

To which we are bound

Laughs loudly

At our twilight carnival

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