Nick Stead- Author Interview (2019)

Hey everyone! Just your Horrormadam here bringing you another amazing author Nick Stead! When reading most literature on werewolves, it becomes apparent that most authors follow the same banal, over-worked imagery. A human is cursed with a wolflike appearance and then they generally kill indiscriminately. Nick Stead has written a very refreshing story arc, where a person has a supernatural lycanthropic event but actually takes on all the aspects of a real wolf. Their social aspects and pack mentality, alpha vs beta, communication and scenting behaviors. Nick’s books are such a joy for me to read because they are such a divergence from the norm. I wanted to introduce you to his work and asked him a few questions so that you may better understand this talented writer! Let’s get to it:

My first obvious question, is why horror? When did you first fall in love with it and what made you want to write in the genre?

I think I’ve always had a love of monsters and things with big fangs and claws so it probably started there. Ghosts and skeletons fascinated me as well–I’m struggling to remember a time when I wasn’t into anything horror! I can’t think of a specific moment from my childhood that started my love of the genre–I know I used to enjoy cartoons like Scooby Doo and would watch them religiously. But my first real taste as a kid was probably the Goosebumps series. Those books probably deepened my attraction to the creepy and the macabre and my love of the genre only grew from there.

It was actually my cousin, ‘Lady’ Sarah, who got me started writing. She’d done a few short stories and got sick of me nagging her to write more so she suggested I start my own and helped brainstorm the first three chapters of what would eventually become Hybrid. I’ve always had a love of fantasy as well but I was getting more and more into horror as I developed into a young adult and started to discover all the classics like Nightmare on Elm Street and Hellraiser. The more I found to watch and read, the more of my own horror stories I wanted to write. My first book was always going to be a werewolf horror thoughI’m too obsessed with them for it to ever have been anything else!

Why did you go with werewolves?

I’ve always been obsessed with wolves and werewolves for as far back as I can remember. There’s just something about the idea of turning into a wolfish creature that really appealed to me when I was younger and it’s something I never grew out of! In many ways Hybrid started out as my own personal werewolf fantasy. The lore I used in the series is a mix of my favourite myths and my own ideasI like to put my own spin on existing mythology where I can.

What are some of your favorite books and who are some of your favorite authors?

Horror wise, Graeme Reynolds’ High Moor trilogy ranks among my all-time favourite werewolf horror stories and I’m really enjoying S.L. Mewse’s Primal Progeny werewolf series as well. I did used to enjoy Darren Shan when I was younger but I’ve not read any of his stuff in years, and I was enjoying the Anita Blake vampire hunter series till it got a bit too much in the relationship’s wayside of things and not enough of the horror for my tastes. I think the last one of them I read was book 12 or 13 so I must be well behind on those by now.

Fantasy wise, I’m a big Terry Pratchett fanlove his Discworld series! Christopher Paolini’s Inheritance Cycle is awesome as well, reread all four books a few times and I never tire of them. I also love G.R.R. Martin’s Song of Ice and Fire series and am still mourning the end of the TV adaptationhope we get the next book soon! I have to mention Harry Potter as well even though I haven’t revisited that world since the last book came out which must have been in my late teens/early twenties (I’m 31 now). And Jim Butcher’s Dresden Files!

Mary Shelley’s Frankenstein needs mentioning too. We studied the original novel for GCSE English Literature and I really connected with that story and the character of the creature in particular. In fact, there are parts of Hybrid heavily inspired by Shelley’s novel, including the prologueI love how she starts with the letters Captain Walton writes to his sister, as for me it gave it a sense of reading about real events that had actually happened rather than just the usual narrative prose of fiction. So I wanted to bring that same feeling into my own story, but instead of letters I went with the second person opening as a way of bringing the reader directly into the story. I really wanted to give that feel of being there with the character as he tells you about his ‘real’ life as a werewolf.

What are some of your favorite horror films and influences?

I love the Nightmare on Elm Street movies and Hellraiser 1 and 2both Freddy and the Cenobites definitely inspired some of the more creative deaths I’ve written. American Werewolf in London still has the best transformation scene to date, in my opinion, and I never tire of watching that. In fact, it’s more or less how I imagined and described my own character’s transformation in Hybrid and I still remember my excitement at seeing that being brought to life on screen for the first time. The look of the fully transformed wolf doesn’t quite do it for me though. I’m very fussy with my werewolves and if they don’t live up to the right mix of wolf and man I end up being disappointed. Van Helsing still comes in first place for my favourite movie werewolves–those are almost perfect, if only they had tails!

I also love the werewolves in Dog Soldiers and The Howling of course. The prequel to Underworld is another fav–it’s the historical setting in that one that does it for me, probably because of my love of fantasy. And Ginger Snaps is great for its humour and the slightly different take on werewolves with the way they permanently shift into a wolfish creature rather than just under the full moon.

And of course, there’s the 90s adaptation of Frankenstein. This one is the closest I’ve seen to the original book and was a huge influence on my teen self, along with the novel as mentioned above. Seeing Shelley’s story brought to life in a way which I feel really does the book justice (and it’s rarely I say that about a book to screen adaptations!) was almost magical.

Pic Joan RussellAuthour Nick Stead at his home in Golcar, Huddersfield.
Pic Joan Russell Authour Nick Stead at his home in Golcar, Huddersfield.

In your Hybrid series, like the author Darren Shan you chose to use your own name as the main character, how much of yourself is reflected in the character?

There’s a lot of my teenage self in the first book, particularly in the earlier chapters before the character starts to change and grow darker as a result of his curse. Hybrid is actually a really personal story on a lot of levels and there’s probably more in there than fans realise which mirrors what my real teen self was going through in school. I was bullied, and I did suffer with severe depression, partly because of the bullying and partly because of the way things were at home, so the chapters where the character sinks into a similar state were written straight from the heart and much of that raw pain of my teen self survived through to the final edit.

Hybrid Cover

Hunted and Vengeance are more or less pure fiction, and the character is much darker in those books and more adult. We all have those dark urges from time to time, the things we fantasise about doing to people who anger us for whatever reason, and I think a lot of that inner darkness comes out in my fictional self. It’s the perfect place to channel it without actually killing anyone!

In your writing, the specificity of the wolfs thoughts and actions astonished me. How did you get into that mindset?

I used to watch tons of nature documentaries on wolves and other predators so I think a lot of it probably comes from that, plus my own beliefs and passion for animal rights. All the stuff I learnt on real wolf behaviour I was able to bring in to his character, but I wanted to make it clear the monstrous side to him is purely down to the werewolf curse and the darkness of his humanitywolves have been given a bad enough reputation as it is!

When I first started writing I actually found it easier to do the wolf’s character than the humans. Not sure what that says about my teen self!

Why do you think people are so interested in lycanthrope mythology?

I think it speaks to that primal part of us we’ve tried to separate ourselves from over the millennia but can never quite escape. We all have a favourite animal and things about that particular species we admire. I think for earlier civilisations who lived in much greater harmony with the natural world, the idea of shifting into other creatures and taking on their traits to become better hunters or fighters captured their imaginations, and it’s something that has stayed with us as we’ve continued to evolve. Lycanthropy as a curse came much later and historically was always as the result of witchcraft rather than the modern idea of a bite or a scratch passing it on. I think that horror side of things was a way of rationalising human monsters at times, before we came to understand more about the human mind and all that can go wrong with it. And in the modern day I think werewolves are a way for people to continue exploring all that remains uncivilised in our species and the wilder side to our natures.

Hunted cover

The Hybrid series was a long journey for you, can you explain your process and how it led you to being published?

It certainly was, and to think at 15 I was young and naïve enough to believe when it was ready for publishing it would just happen!

After my cousin helped with brainstorming those first three chapters, the scenes we’d come up with started writing themselves in my head and it wasn’t long before I started working on them, amid my last year of school and exams and moving up to college. I would be in lessons daydreaming and my imagination would be going places in the Hybrid universe and coming up with all these scenes till I realised it wasn’t just a short story I had on my hands or even a novel, but an entire series! I’d also get narrative writing itself in my head and would have to commit it to memory if I couldn’t get away with making notes mid-lesson. Then the day would finally finish, I’d go home and get any homework out of the way and write for the rest of the evening (well, not quite the entire evening, every eveningsome nights I’d want to read another author’s work or catch up on TV or enjoy some time on the PlayStation 2!). On weekends once homework was done, I’d devote some time to writing and some time to my other hobbies. I think it took me about a year to finish the first draft of Hybrid so I’d have been 16 when I finished writing it, then it ended up being sat on my PC for the next few years virtually untouched because I was too busy enjoying student life.

Vengeance cover

I got serious about being published again once I finished my studiesit was the only career that really interested me, despite doing a couple of different courses in my college years to try and find a back-up plan in case making a living as a published author never happened for me. But when I went back to this ‘masterpiece’ my younger self believed would be an instant bestseller, it was something of a reality check. I soon realised it needed a good rewrite, so I then spent an intensive year doing just that.

I’d not heard of beta reading at that point but a few friends begged me to let them read it so I did do, and two of those I still use for beta reading now. They say you should never use friends and family as beta readers because they never give you honest feedback, but I’m lucky that the friends who beta read for me are very good at picking up on any issues and feeding that back to me. So once I’d tested it on those brave guinea pigs and acted on the feedback I was given, I then started sending out submissions to all the big agencies I could find who would accept supernatural horror.

This was probably the hardest part of the whole process. It’s always disappointing to get a rejection letterthat’s one thing you have to learn to deal with as a writer. But so many places just don’t bother to acknowledge they’ve received your submission at all and it’s so soul destroying to go through weeks or even months of waiting and hoping you’ll receive a reply expressing interest and asking to see the full manuscript (as the initial submission is only ever a sample of your work, usually of the first three chapters, and a synopsis), only to finally accept, it’s probably another no. I did try chasing up one or two who never replied but didn’t even get an answer to my email asking if they’d received it!

I must have spent three years submitting to agencies (as it’s frowned upon to do a big blanket submission so I was restricting myself to sending out to a handful of places at a time) before I finally found Wild Wolf Publishing. They thought the story showed promise, but they felt the manuscript needed more work before it was ready for publishing, so I then did another major rewrite to fix what they felt was the main issuenamely that some parts read too YA while others were more adult, and it needed to be consistent for one or the other. I’d always intended it to be for adults so I edited out a lot of the really YA stuff, though the first one still ended up in the teen/YA section on Amazon, anyway! But Wild Wolf loved the new edited version I sent them and didn’t take long to write back asking to see the full manuscript. Things happened really quickly after thatit took only a month to hear back on the final decision once they’d read the full thing and it was the good news I’d been dreaming of all those yearsthey wanted to publish it for me.

Wild Wolf has been very fair with things like royalties and giving me a say in the cover design. It’s been much harder than I ever anticipated to try to make a name for myself though! As Wild Wolf are only a small publisher, I have to do 99% of the work marketing myself and chasing opportunities for doing readings and signings. Sometimes it feels like the world is against indie authors and publishers but I live in hope that someday I’ll be one of the big names in horror, even if it takes years of hard work to get there.

I have read that you are also going to be working in the dark fantasy genre, what themes are you going to be exploring?

The premise is basically immortal beings playing a game, using the fantasy world like a chessboard and mortals as pawns, which I touched on in my short story, Immortal Game. I wrote that one for a competition and when I shared it with the other members of Huddersfield Author’s Circle they all enjoyed it and told me to carry on with that world, then when I got into live action roleplay it really inspired me to write a short piece based on my experiences at my first larp event. The character in the piece is essentially the same one I play at larp but the world it’s set in is my own. So that then led to a load of ideas for developing the concept I’d got in Immortal Game and the two immortal characters in that story but set in the fantasy world of the larp inspired piece rather than modern day earth like Immortal Game. I’ve got tons of ideas for the gods and demons attached to that world, as well as the mortal main characters caught up in the game they’re playing, but it’s going to be a big project with all the world building so I haven’t done much with it yet.

Link for reading: https://nick-stead.co.uk/work/short-stories/immortal-game/

I’d say one of the recurring themes across my work is the damage we’re doing to the planet and animal rights and there is going to be a sense of that in this one as well, but the corruption in that world will mostly come from the demons. It’s hard to say for certain before I’ve really started working on it (as I don’t do too much planning in advance – I’m more the type of writer who has an idea and just runs with it and sees where it goes!) but I think there’ll be themes of loyalty and betrayal like with my Hybrid series. It will be the kind of fantasy world that has magic and dragons but I much prefer writing anti-heroes and villains to out and out good guys; conflicted characters who have their own inner struggles which impacts the decisions they make, rather than just doing something because it’s right all the time. So it will definitely be dark fantasy rather than high fantasy, and there will probably be a good dose of my trademark gore in there.

What new projects should we be on the lookout for?

I’m currently in the process of moving my Hybrid series over from Wild Wolf Publishing to Miami Fox Publishing after the success of The Complete History of the Howling. The move will see a re-release of the first three books with brand new cover designs and they’ve had another edit for these second editions, plus there’s going to be just over 19,000 words of never before seen bonus content. This will take the form of a short story from a different character’s perspective to my fictional werewolf self. I had a lot of fun with that piece, building on the character’s backstory and exploring more of the history of the Hybrid universe, as well as doing a bit of a crossover with Vengeance and hinting at things to come in book 4.

Link to interview for The Complete History of the Howling in case you missed it! https://horrormadam.com/2019/05/20/the-complete-history-of-the-howling-author-interview-2019/

Book 4 is now drafted and has been through a round of editing and is now going through the beta reading phase so I would hope to have that out later this year as well. And Hybrid fans can also look forward to another short piece in an upcoming werewolf anthology by Graeme Reynolds called Leaders of the Pack. My contribution is a prequel piece from the point of view of the werewolf who bites my character at the start of Hybrid. I’d written that one before doing the bonus piece for the second editions so there’s a little bit of a crossover with two of the characters from the prequel appearing in the second edition bonus story. I think fans are going to love it.

And finally (for now), in 2017 after finishing Vengeance I announced I was going to take a little break from the Hybrid series to work on my own take on the Pendle witch trials of 1612. It took a lot longer to write than anticipated due to the amount of research I had to put innot just reading up on the trials and what we know of the people involved but into the time period in general to make sure all the little details were as accurate as I could get them when it comes to setting and things. I finally finished the first draft early autumn 2018 then went back to the Hybrid universe to do book 4 while the witches went through beta reading. I’m now about to start the next round of editing based on the feedback I’ve had and I’m hoping this one will also be out later this year, but it depends how much more work needs doing.

Many stories have been written about the Pendle trials but in my take on it I’ve really tried to put my own unique spin on the tale, weaving the supernatural into the historical setting and combining the horrors of the time with my twisted imagination. The feedback from beta readers has overall been very positive and is hopefully a good sign I’ve succeeded in doing the story justice. If anyone wants a little taster, this is another that started out as a short piece, though this one was written for a competition category ‘opening for a novel’ so it was written with the intention of being carried on with rather than a one off short story. It’s one of the free to read pieces I’ve published on my site and is currently titled The Reckoning. (Which works for this short opening but not the novel it grew intoI’ve still to settle on a title for the full novel.)

Link to: https://nick-stead.co.uk/work/short-stories/the-reckoning/

I want to thank Nick so much for taking the time to answer my questions! You will really enjoy his work and we have included links below to find out more about him and get your hands on his books!

Nick Stead

home

https://www.amazon.co.uk/Nick-Stead/e/B010LSHNJ6?ref=sr_ntt_srch_lnk_1&qid=1561233757&sr=8-1

https://www.amazon.com/Nick-Stead/e/B010LSHNJ6?ref=sr_ntt_srch_lnk_1&qid=1561233797&sr=8-1

Advertisements

The Complete History Of The Howling-Author Interview (2019)

Hello everyone this is Jaye your Horrormadam bringing you an amazing new paperback called The Complete History of the Howling by Bryn Curt James Hammond. Bryn is a British-based best-selling author, journalist, TV personality and inductee into the 2018 Hall of Horror. Known for his thought provoking and in-depth books A Case For Murder: Brittany Murphy Files, and A Case For Murder: Anna Nicole Smith Files.

 

 

He now brings us the most complete and penetrating look at the History of the 1981 film The Howling and all of its sequels. The only book that takes the reader into the making of all eight feature films, with new interviews from the series cast and crew and takes a thorough look at the film’s creation inspired by Gary Brandner, who started The Howling Books in 1977 and developed them into a trilogy. If you consider yourself a hardcore fan of The Howling, then this is the book for you!

Bryn Curt James Hammond Headshot 2019 (1)

So let us get to the questions for Bryn and find out more about The Complete History of the Howling…

Why The Howling?
My decision to cover The Howling saga was partly down to my love of the fourth instalment in the long running franchise. It’s a movie that can be chalked up as being very ‘Marmite’, creating debates among genre fans, and I’m of the half that got a kick out of how bad it was.Steve Johnson (XFX) really made the most of what he had and developed some interesting transformations. I’m not sure how much was his own imagination or how much was the Diet Coke; whatever it was, it blew my mind on my first viewing. So, as in “Why The Howling”, I guess that’s my reasoning.

Why did you take a step away from writing true crime to write a compendium of The
Howling History?
Writing true crime is extremely heavy going. You’re dealing with a sensitive topic that needs you to be in a headspace that is exuberantly depressing. The case files are often draining to read because of the level of detail about the deceased; whether it be the full autopsy report or the police interrogations in the aftermath, it makes the individual extremely human once more because of the way the case files are fleshed out. At times I found myself in a state of mourning and I needed a separate project to allow me space to breathe, so a compendium was the perfect fit for me to escape.

Why do you think the public has such a fascination with lycanthrope lore?
That’s an interesting one. I really don’t know why there is such a fascination with
lycanthrope lore; psychologically maybe the explanation lies somewhere between our
connection to our own dark side, which is ingrained into our very DNA, or our lust at times to escape and be someone entirely different, and/or the union of havoc once the man becomes the beast. We have all been in a situation where we’ve seen red and had the capability of walking away but find ourselves acting like a bull in a china shop, leaving only mess and destruction behind. Psychoanalysis aside for one moment though, it might just be down to the often outrageous FX these kinds of films serve up.

 

 

 

You were extremely thorough in your research and writing. Did you encounter any problems obtaining information or any troubles with interviews?
Any written work comes with such problems. Often it was that the performers had moved on and no longer wished to be a part of or be known for that earlier project, or in some cases time scheduling conflicts caused issues between the talent and my deadline.
I did have the occasional artist get upset when publicity was fairly rampant and they were not involved in the project. This occurred with one artist who basically stated it was his projects I was writing about and he’d not been contacted, when in fact I had approached him three or four times and although he read my emails he continued to ghost me. Eventually we spoke, and he was less than impressed that I didn’t kiss his butt. I said I could accommodate various ways we could do the interview but there was always something that cropped up, so I dropped him so he could focus on walking his dog or whatever else he used as an excuse I also clashed with two female leads from the series who will remain nameless. One actress, who gained a Golden Raspberry Award for the Worst Supporting Actress, demanded a five-figure sum for contributing to the book, so I graciously told her to find the nearest fire exit. Another was dismissive of her involvement in one of the films and basically wasn’t very pleasant, but we later worked it out and I drew a line under the experience and we ended on good terms. What I found frustrating was how dismissive and pretentious specific talent was about their involvement. The former lead, who’s made a living from her role as a lambasted sex bomb whose breast assets blew her the lucky curved ball in the right direction, continues to take, take, take without giving much back unless it involves the green stuff. I guess it’s just her way of escaping awkward moments, And hey, she’s paying her own way by making various unmemorable impromptu appearances, so I guess she doesn’t need to be involved in my Howling History companion book.

The Howling was released the same year as An American Werewolf in London. Did you
learn anything about the duality of these films coming out together?
Each project was promoted to movie-goers in a very different manner, so they didn’t really compete with each other at the time. The Howling was sold as a slasher to cash in on the popularity of Friday the 13th, while An American Werewolf in London was a much more generic campaign. AAWIL was additionally released later than The Howling and Wolfen and had time to fix the problems The Howling and Wolfen faced when trying to find their target audience. So in terms of duality to get bums on seats that wasn’t really a thing. There were a few issues when it came to the hiring of Rick Baker, and Baker eventually signed onto AAWIL and his prodigy, Robin Bottin, took on The Howling project as his replacement.

Both films had iconic special effects transformations, both of which were worked on by Rick Baker. Did this change the aspect of physical effects vs camera effects?
Before The Howling came along, werewolf transformations had been achieved with lap
dissolves and progressive make-up appliances. The Howling really set the bar and certainly pushed the boundaries of development, but in fact it was Dick Smith that came up with the physical onscreen transformation. He had developed a specific technology for a transformation sequence in Altered States so it should be Smith and Altered States that receives credit for the advancement in physical effects vs camera effects but The Howling did push the envelope and similar methods were also used on AAWIL.
I don’t think Smith gets as much credit as he deserves. He single-handedly created the
combination of make-up with on-set practical special effects and even developed three foam latex pieces for facial prosthetic. Previously prosthetic face masks were made in one piece, which restricted the actor’s facial expressions. So I’d have to say while The Howling showed off some impressive FX and paved the way in which werewolf transformations are achieved the industry had the technology already.

What did you learn about how The Howling franchise developed?
The Howling franchise was a mess lol. There were far too many cooks in the kitchen and
nobody remembered how to ignite the oven after they had turned it off.

Any fun little teasers that you have to engage my readers?
Well, several of the crew were high as kites while making IV, V, VI and VII. Howling IV
was partly developed under the Cannon Films umbrella and they’re on-set safety methods were not very orthodox. The movie also has an alternative version and there are various cuts available, which included a longer sex scene and varying scene orders. No one really wanted to continue the series past Joe Dante’s original; it was more of a financial decision. Hemdale Film Corporation picked it up and moved forward with it but it failed to garner the same attention or commercial success as the original film or Hemdale’s other horror production, Return of the Living Dead. Howling V had such a minuscule budget they reused the werewolf costume from the fourth film but the crew could not work the animatronics so ended up keeping the werewolf in the shadows.
Contrary to popular belief there is no additional gore in Howling V and what you see on
screen is what was shot. The only cut footage was additional dialogue that had no real context in the film’s proceedings. Howling VII, besides being a terrible movie, suffered as much while in production as it did when it eventually made it to VHS through New Line Cinema. Most of the cast and crew were arrested only days before the cameras began rolling and there was a huge debate on how they were going to execute the SFX.
And the final teaser is that The Howling Reborn had Dee Wallace set to return to reprise her role, and it had been planned that, had the film been a success, they were going to adapt it into a series on a VOD platform. Sadly it wasn’t to be, and it was accused of cashing in on The Twilight films. The Complete History of The Howling is the definitive Howling companion and hopefully the teasers above will entice your audience to go and buy my book from Amazon.com. I really can’t stress enough how much love and compassion went into crafting the final paperback.

What are you working on now?
Currently, I’m working on The Complete History of The Amityville Horror and finishing A Case for Murder Aaliyah Files. My TV series Pop Culture Pulse is about to start filming, so it’s all go!

I want to thank Bryn so much for taking the time to answer my questions and in such a comprehensive way! I really appreciate it. I also wanted to reach out to Nick Stead who did the new unofficial story arc in the book. Nick is famous for his Hybrid Series which also deals with the supernatural lore of werewolves and vampires.

Nick, how did you get involved with The Complete History of the Howling?

It was really thanks to a mutual fan on Twitter asking if me and Bryn
would work together on a collaboration that led to me being invited on
board The Complete History of the Howling. I met with Bryn not long
after and it was his idea for me to ‘do what I do best’ and write a
short story arc for it.

B18eQwHMHmS._US230_

How did you approach your story arc?

Bryn gave me the creative freedom to do whatever I wanted with the
story arc as long as it was just under 3500 words and based on one of
the movies. So my first port of call was to rewatch each film in the
franchise. I know Bryn loves Howling 2 and 4 but my personal favourite
is the first one, so those were the main three I focused on.

I really treated the story like a bonus scene that could have been
slotted into any of the movies, and it ended up being the first
Howling which inspired me. The idea actually came one night while I
was laid in bed with my mind buzzing (I have a lot of problems with
insomnia as my brain never knows when to switch off!), and the scene I
was imagining came just after where the first Howling leaves off,
where Karen White has transformed on live TV and we’re shown a few
people’s reactions. From there it was just a case of shaping that idea
into a short plot which would work in roughly the amount of words I
had, then getting to work on it. I did re-watch various scenes in the
Howling a few times while I was writing, as I really wanted to get the
feel of the movie into my story and the right characterisation for the
character I took from the film.

What was your interest in The Howling previously?

My interest in the Howling movies really comes from my love of
werewolves, which I’ve had for as far back as I can remember. I’m not
sure what started my love of them exactly but it could be partly down
to the bullying I suffered at school. I always joke I’m like Hagrid
out of Harry Potter – I love anything with big fangs and claws and a
taste for meat. But wolves were always my favourite animals so I think
when I first came across werewolves, it was something to do with the
idea of transforming into one of these creatures I was so in awe of,
plus all the power that comes with it, that caught my imagination. But
more than that, something about the kind of bipedal werewolves like we
see in the first Howling movie really spoke to me. That mix of wolf
and man in one awesome form with all the advantages of both species –
I would have given anything for that power as a kid, and it’s
something I never grew out of. Werewolves will always be my favourite
mythological creature and any movie which successfully manages to
capture all I love about them in the story line and the design of the
werewolves will always rank highly in my DVD collection. The first
Howling does exactly that – the effects are amazing for its time and
the look of the werewolves is just the right mix of wolf and man. The
other movies in the franchise are enjoyable as well for other reasons
but it’s really the first and The Howling Reborn which speak to me as
a werewolf fan. Though I could have done with less of the romance in
The Howling Reborn!

It has been an honour to be given the opportunity to be involved with
The Complete History of the Howling when I’ve always been such a big
werewolf fan, and I’ve really enjoyed working with Bryn. He’s a really
fun guy to hang out with and a good friend I’d never have met otherwise!

I also want to thank Nick so much for taking his time to answer my questions! I will be doing a followup interview with him to introduce you all to The Hybrid books and help you get to know him as an author better.

My last reach out was to Dee Wallace herself to see if she had any comments on her portrayal of Karen White in the original The Howling.

The Howling was one of the favorite moments of my career! I was starring with my fiancé and working with Joe Dante. How lucky can a girl get!

MV5BZGE4ZDBjNGItNzFmZS00MTAyLTgwOTctMGYzMjM3YTRkYTc5XkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_CR0,45,480,270_AL_UX477_CR0,0,477,268_AL_

I want to thank everyone involved again and I do hope that you go check this book out and all of Bryn and Nicks works!

https://t.co/DGNziV68Sa?amp=1  to find on Amazon

https://www.imdb.com/name/nm2505251/  Bryn Curt J Hammond on IMDB

http://www.brynhammond.co.uk/

 

 

Blog at WordPress.com.

Up ↑